His second printed work was the "Polonius," already referred to, which appeared in 1852. It exemplifies his favorite reading, being a collection of extracts, sometimes short proverbial phrases, sometimes longer pieces of characterization or reflection, arranged under abstract headings. He occasionally quotes Dr. Johnson, for whom he entertains sincere admiration; but the ponderous and artificial fabric of Johnsonese did not please him like the language of Bacon, Fuller, Sir Thomas Browne, Coleridge, whom he cites frequently. A disproportionate abundance of wise words was drawn from Carlyle; his original views, his forcible sense, and the friendship with which Fitzgerald regarded him, having apparently blinded the latter to the ungainly style and ungraceful mannerisms of the Chelsea sage. (It was Thackeray who first made them personally acquainted; and Fitzgerald remained always loyal to his first instincts of affection and admiration.) Polonius also marks the period of his earliest attention to Persian studies, as he quotes in it the great Súfi poet, Jalál-ud-dín-Rúmi, whose "Masnavi" has been translated into English by Mr. Redhouse, but whom Fitzgerald can only have seen in the original. He, however, spells the name _Jallaladin_, an incorrect form of which he could not have been guilty at the time when he produced Omar Khayyám, and which thus betrays that he had not long been engaged with Irani literature. He was very fond of Montaigne's essays, and of Pascal's "Pensées"; but his "Polonius" reveals a sort of dislike and contempt for Voltaire. Amongst the Germans, Jean Paul, Goethe, Alexander von Humboldt and August Wilhelm von Schlegel attracted him greatly; but he seems to have read little German, and probably only quoted translations. His favorite motto was "Plain Living and High Thinking," and he expresses great reverence for all things manly, simple, and true. The laws and institutions of England were, in his eyes, of the highest value and sacredness; and whatever Irish sympathies he had would never have diverted his affections from the Union to Home Rule. This is strongly illustrated by some original lines of blank verse at the end of "Polonius," annexed to his quotation, under "Æsthetics," of the words in which Lord Palmerston eulogized Mr. Gladstone for having devoted his Neapolitan tour to an inspection of the prisons.