“I do believe,” said Euphemia, “that's somebody who has mistaken this
for a tavern. I wonder whether it's a soldier or a farmer or a sailor;
but you had better go and see.”
I went to see, prompted to move quickly by the new-comer pounding his
cane on the bare floor of the hall. I found him standing just inside
of the front door. He was a small man, with long hair and beard, and
dressed in a suit of clothes of a remarkable color,--something of the
hue of faded snuff. He had a big stick, and carried a large flat valise
in one hand.
He bowed to me very politely.
“Can I stop here to-night?” he asked, taking off his hat, as my wife put
her head out of the kitchen-door.
“Why,--no, sir,” I said. “This is not a tavern.”
“Not a tavern!” he exclaimed. “I don't understand that. You have a sign
out.”
“That is true,” I said; “but that is only for fun, so to speak. We are
here temporarily, and we put up that sign just to please ourselves.”
“That is pretty poor fun for me,” said the man. “I am very tired, and
more hungry than tired. Couldn't you let me have a little supper at any
rate?”
Euphemia glanced at me. I nodded.
“You are welcome to some supper,” she said, “Come in! We eat in the
kitchen because it is more convenient, and because it is so much more
cheerful than the dining-room. There is a pump out there, and here is a
towel, if you would like to wash your hands.”
As the man went out the back door I complimented my wife. She was really
an admirable hostess.
The individual in faded snuff-color was certainly hungry, and he seemed
to enjoy his supper. During the meal he gave us some account of himself.
He was an artist and had traveled, mostly on foot it would appear,
over a great part of the country. He had in his valise some very pretty
little colored sketches of scenes in Mexico and California, which he
showed us after supper. Why he carried these pictures--which were done
on stiff paper--about with him I do not know. He said he did not care
to sell them, as he might use them for studies for larger pictures some
day. His valise, which he opened wide on the table, seemed to be filled
with papers, drawings, and matters of that kind. I suppose he preferred
to wear his clothes, instead of carrying them about in his valise.
After sitting for about half an hour after supper, he rose, with
an uncertain sort of smile, and said he supposed he must be moving
on,--asking, at the same time, how far it was to the tavern over the
ridge.
“Just wait one moment, if you please,” said Euphemia. And she beckoned
me out of the room.
“Don't you think,” said she, “that we could keep him all night? There's
no moon, and it would be a fearful dark walk, I know, to the other side
of the mountain. There is a room upstairs that I can fix for him in ten
minutes, and I know he's honest.”
“How do you know it?” I asked.
Public-domain text, read in full here on John Shaqi.
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