“Well, because he wears such curious-colored clothes. No criminal would
ever wear such clothes. He could never pass unnoticed anywhere; and
being probably the only person in the world who dressed that way, he
could always be detected.”
“You are doubtless correct,” I replied. “Let us keep him.”
When we told the good man that he could stay all night, he was extremely
obliged to us, and went to bed quite early. After we had fastened the
house and had gone to our room, my wife said to me,
“Where is your pistol?”
I produced it.
“Well,” said she, “I think you ought to have it where you can get at
it.”
“Why so?” I asked. “You generally want me to keep it out of sight and
reach.”
“Yes; but when there is a strange man in the house we ought to take
extra precautions.”
“But this man you say is honest,” I replied. “If he committed a crime he
could not escape,--his appearance is so peculiar.”
“But that wouldn't do us any good, if we were both murdered,” said
Euphemia, pulling a chair up to my side of the bed, and laying the
pistol carefully thereon, with the muzzle toward the bed.
We were not murdered, and we had a very pleasant breakfast with the
artist, who told us more anecdotes of his life in Mexico and other
places. When, after breakfast, he shut up his valise, preparatory to
starting away, we felt really sorry. When he was ready to go, he asked
for his bill.
“Oh! There is no bill,” I exclaimed. “We have no idea of charging you
anything. We don't really keep a hotel, as I told you.”
“If I had known that,” said he, looking very grave, “I would not have
stayed. There is no reason why you should give me food and lodgings, and
I would not, and did not, ask it. I am able to pay for such things, and
I wish to do so.”
We argued with him for some time, speaking of the habits of country
people and so on, but he would not be convinced. He had asked for
accommodation expecting to pay for it, and would not be content until he
had done so.
“Well,” said Euphemia, “we are not keeping this house for profit, and
you can't force us to make anything out of you. If you will be satisfied
to pay us just what it cost us to entertain you, I suppose we shall have
to let you do that. Take a seat for a minute, and I will make out your
bill.”
So the artist and I sat down and talked of various matters, while
my wife got out her traveling stationery-box, and sat down to the
dining-table to make out the bill. After a long, long time, as it
appeared to me, I said:
“My dear, if the amount of that bill is at all proportioned to the
length of time it takes to make it out, I think our friend here will
wish he had never said anything about it.”
“It's nearly done,” said she, without raising her head, and, in about
ten or fifteen minutes more, she rose and presented the bill to our
guest. As I noticed that he seemed somewhat surprised at it, I asked him
to let me look over it with him. The bill, of which I have a copy, read
as follows:
July 12th, 187- ARTIST,
Public-domain text, read in full here on John Shaqi.
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