Interesting as it would be to particularize other examples, we cannot
do so here, which is the less to be regretted because mere verbal
remarks, unaccompanied by drawings on such a scale as to fully show
all their minutiæ, would not be very satisfactory. Perhaps we shall be
thought to have already dwelt rather too long on the mere column, for
we have not yet quite done with that part of the Order. It remains to
be observed, that notwithstanding its situation is such as to render
detail there hardly noticeable, the baluster side of the capital was
always enriched. In Greek examples it had a series of wide channels
with broad fillets between them, and where great richness was affected,
as in the Ionic of the Temple of Erechtheus, the fillets had an
additional moulding upon them, carved into beads. In the Asiatic
examples, on the contrary, and Roman ones also, the baluster side is
usually cut into the form of leaves, bound together, as it were, in
the centre by a broad moulded ring, which produces an exceedingly
good effect; and indeed, in several instances, much better taste is
manifested in that obscure part of the capital than in the face itself.
Although it is repetition to say that the base usually given to this
Order by the Greeks was the _Attic_ one, consisting of two _tori_,
divided by a _scotia_, we here refer to that part of the column again
for the purpose of noting a species of enrichment applied to it, the
upper torus being sometimes fluted horizontally, at others cut to
resemble an interlaced chain-like ornament, now called a _guilloche_.
Modern Architects, however, invariably leave the upper torus of the
base quite plain, even when they scrupulously copy every other part
of the column. The only instance of channeling upon the upper torus,
to which we can point, is that of the portico of St. Pancras’ Church,
which building well deserves to be carefully examined and studied by
those who would acquire a correct idea of the exquisite finish and
richness of Grecian Ionic details, and their effect in execution.
Public-domain text, read in full here on John Shaqi.
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