For examples of Grecian Doric and Ionic which may be seen in London,
and which the student would therefore do well to look at and carefully
examine for himself, since he will from these learn more than he
possibly can do from books alone, we refer to the following buildings:
for Doric, the _tetrastyle_ portico of Covent Garden Theatre, and the
_hexastyle_ one of the Colosseum in the Regent’s Park; which latter
shows the Order to much greater advantage than the other, owing to
its being free from such disturbing and very un-antique additions
as several doors and windows within it, which inevitably destroy
all breadth and repose;—it has also the advantage of a west aspect,
by which the full effect of light and shade is produced. For Ionic
examples, we refer to St. Pancras’ Church, New Road, whose order is
a faithful transcript from that of the Erechtheum; the same building
also affords an instance of the application of a caryatid order of
female figures in the porch, or rather the porch-like structure, on its
north and south sides,—the idea of which is taken from a similar small
structure attached to the Athenian Temple;—the University Club House,
Pall Mall East, where the same Order is applied upon a much smaller
scale, and raised upon a basement floor;—the Chapel in South Audley
Street;—the portico of the Post Office, and the façade of the British
Museum;—the portico of the College of Surgeons, Lincoln’s Inn Fields,
whose columns, proportioned according to the Ilissus example, were
originally plain, but were fluted, and the mouldings of the entablature
cut, when the building was altered and greatly improved some years ago,
by Mr. Barry;—the portico of Hanover Chapel, Regent Street, which, as
the reader is already aware, shows the Priene Ionic;—and lastly, for
we will not further extend this list, the portico of the India House,
Leadenhall Street, which is remarkable for its frieze being sculptured,
and its pediment also filled in with figures in relief. Of similar
decoration for the Doric Order we cannot point out any instance here,
both the metopes of the frieze, and the pediment, being left plain in
all our English specimens of that Order.
ROMAN AND MODERN IONIC.
Public-domain text, read in full here on John Shaqi.
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