Man-woman relationships -- Fiction; Poor families -- Fiction; Young women -- Fiction
RUE AND ROSES
BY ANGELA LANGER
WITH INTRODUCTION BY W. L. COURTNEY
NEW YORK GEORGE H. DORAN COMPANY
RUE AND ROSES
ANGELA LANGER
Copyright, 1913
BY GEORGE H. DORAN COMPANY
INTRODUCTION
You will like Anna, the heroine of "Rue and Roses," when you get
to know her. But perhaps it will take some time before she becomes
familiar to you, partly because she is intensely Teutonic, partly,
also, because the little history she gives about herself strikes the
ordinary reader as fragmentary. She certainly is very German. You
picture her to yourself with her large eyes and her, apparently, placid
exterior. Very likely she is wearing a shawl round her shoulders and
sits apart from other girls, for ever analyzing herself and her own
states of consciousness. That is the characteristic thing about her.
She is intensely self-analytic, and from the earliest moment when
she began to think at all, she has ceaselessly occupied herself with
her own soul-states and traversed one or two heart-crises. Having
nothing much external to interest her, she is driven to introspection,
and becomes, as a matter of course, a little priggish and pedantic,
exaggerating the importance of conditions about which the normal
healthy outdoor girl of another race never troubles herself.
Yet she is worth knowing for all that. She may be a little tiresome,
but she is a good, honest girl, who has not had the best of luck, who,
indeed, has come from a home where everything seems opposed to her own
instincts and inclinations. Her father's business is perpetually on
the down-grade, and his little commercial enterprises invariably fail,
and leave him worse off than he was before. The mother, of course,
is always on the verge of tears, because it is her painful duty to
try and make both ends meet--a feat which she is eternally unable
to accomplish. From one place they drift to another, and Anna's few
friends of childhood are left behind, or if she sees them again they
look at her askance, because her father has been in prison. And there
is a brother, too, who would be a severe affliction even in the most
favourable circumstances.
Meanwhile Anna pursues her own way, very humble, very insignificant,
but always trying to do her best. She is a governess, and endures
the usual fate of governesses, being either bullied or made love
to--bullied by the mistress, and on one occasion compromisingly made
love to by the master. One solace she has--the writing of poems. A
characteristic German trait this! And so she sits and dreams, for she
is the most sentimental little person you ever came across--sentimental
to the full extent of Teutonic capacity, with her head full of
Weltschmerz and Schwärmerei. Of course she sighs for the Prince
Charming who is to come and redeem her from her servitude, a being of
impossible virtues, noble and distinguished, and excessively handsome,
the highborn husband for whom Cinderella dreams while she sweeps out
the kitchen and cleans the pots and pans.
Public-domain text, read in full here on John Shaqi.
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