Rugs: Oriental and Occidental, Antique & Modern: A Handbook for Ready ReferenceHolt, Rosa Belle
History
Rugs: Oriental and Occidental, Antique & Modern: A Handbook for Ready Reference
Holt, Rosa Belle
Rugs; Rugs, Oriental
These patient toilers of the East delight in subdued colorings and
artistic designs; and without a doubt many a story is woven in with the
threads that go to form the fabric, many a song of joy, many a dirge of
woe and despair. The number of Orientals engaged in the manufacture of
rugs in the United States is increasing. It is now not an uncommon sight
to see these weavers at work before the loom in the show windows of the
rug-importing establishments of the larger cities.
The increasing use of polished hard wood and yellow pine floors and
mosaic work, even in buildings of moderate cost, is displacing the use
of cheap flooring, which could be covered satisfactorily only with
carpets or matting. This has enormously increased the demand for rugs;
and the selection of them affords a much wider range for the exercise of
personal taste and discrimination in securing an article not only of
greater artistic merit, but of greater durability.
THE LOOM AND ITS WORK
The hand loom is Oriental, the power loom Occidental. The former adds
much to the fame of the Orient. The exquisite fabrics it produces have
made it world-renowned, and although it is simple in structure, its
products show careful and finished labor. Hand looms in all Oriental
countries are similar, and are to-day almost as imperfectly developed as
when used by the ancient Egyptians. To weave their mats, the ancient
Egyptians took the coarse fibre of the papyrus and, with the help of
pegs, stretched it between two poles which were fastened in the ground.
Two bars were placed in between these poles, the threads of the warp
serving to keep them apart. The woof thread was passed through and
pressed down tightly a number of times with a bent piece of wood.
The loom now generally used in the Orient is made by fastening two poles
perpendicularly in the ground to a sufficient depth, leaving above
ground as much of each pole as equals in length the desired rug. This
framework supports two horizontal rollers, the warp threads being wound
around the upper, while the ends are fastened to the lower; at this the
weaving is begun, and on it the rug is rolled while in process of
construction. To the warp threads of fine linen or cotton the weavers
tie the tufts of worsted that form the pile. This worsted, which has
been dyed previously, hangs over their heads in balls. When a row of
knots is finished, it is pressed down to the underlying woof by a long
and heavy comb with metal teeth. Then the tufts are clipped close with
shears, to make the pile. In the finer rugs there are seldom more than
two, or at the most three, threads between every two rows of knots, but
in the coarser kinds there are more threads. In many districts every
family possesses a loom, and it is generally small enough to be carried
from place to place.
Public-domain text, read in full here on John Shaqi.
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