The sepulchre of Absalom, and the cave of St. James, are smaller works, but of the same nature as those above. All of them contain apartments and receptacles for the dead, hewn in the same curious manner. A few paces to the north of the grot,[322] is a substantial stone building, resembling the dome of a church, almost even with the ground, having a pointed gothic doorway. It covers the reputed tomb of the blessed Virgin; and its construction, like other great monuments of this country, is attributed to the pious mother of Constantine. The descent to it is by a broad and handsome flight of forty-six stone steps. On the right-hand side, about half way down, is shown the cenotaph, erected to the memory of Joahim and Anne, the father and mother of Mary; and, in a recess on the opposite side, that of Joseph her husband. A further descent leads into a subterraneous chapel, lit up with lamps, which are kept continually burning. In the centre, a little to the right, is an altar, erected over the sacred tomb, which is an excavation in the rock. Behind, in the curve of the chapel, is an altar, at which mass is occasionally said.[323] "The tomb of the Virgin," says Dr. Clarke, "is the largest of all the cryptæ. Near Jerusalem, appropriate chapels, within a lofty and spacious vault, distinguish the real or imaginary tombs of the Virgin Mary, of Joseph, of Anna, and of Caiaphas. Struck with wonder, not only in viewing such an extraordinary effort of human labour, but in the consideration that history affords no light whatever as to its origin, we came afterwards to examine it again, but could assign no probable date for the era of its construction. It ranks among those colossal works, which were accomplished by the inhabitants of Asia Minor, of Phoenicia, and of Palestine, in the first ages;--works, which differ from those of Greece, in displaying less of beauty, but more of arduous enterprise; works, which remind us of the people rather than the artist; which we refer to as monuments of history, rather than of taste." The circumstance[324] that perplexes every traveller, is to account for Mount Calvary having been formerly _without_ the city, whereas it is, at present, not a small way _within_; and in order to shut it out, the ancient walls must have made the most extraordinary and unnecessary curve imaginable. But tradition could not err in the identity of so famous a spot; and the smallest scepticism would deprive it of its principal charm. The street leading to Calvary is called by the Christians Via Dolorosa, or "Dolorous Way," in commemoration of the sufferings of Christ, in the carrying of the cross to the place of execution. It rises with a gradual ascent as it approaches Calvary, where it terminates. There are many interesting spots in this way; and Mr. Robinson thus describes them:--