Another critic (Knight) has estimated these paintings rather differently. “The paintings on the walls,” says he, “consist chiefly of what we now call arabesques; the figures are all very small, and arranged in patterns and borders. They consist of birds and beasts; among which some green parrots may be seen very distinctly; the ground is generally a rich dark red. At the end of one of these rooms is a large painting of some building, in which the perspective is said to be correctly given. This seems to disprove the charge which has been brought against the ancient painters, of not understanding the rules of perspective; none of these paintings can, however, be justly regarded as specimens of ancient art; they were intended solely as decorations to the apartments, and were doubtless the work of ordinary house-painters. To judge of the proficiency of the ancient painters from such remains as these would be as unfair, to use Dr. Burton’s remark, as to estimate the state of the arts in England from the sign-posts. Where the walls of the rooms are bare, the brick-work has a most singular appearance of freshness; the stucco also is very perfect in many parts; but the marble, of which there are evident traces on the walls of the floors, is gone.” The ruins of the baths of Caracalla are so extensive, that they occupy a surface equal to one-sixteenth of a square mile. Next to the Coliseum, they present the greatest mass of ancient building in Rome. “At each end,” says Mr. Eustace, “were two temples; one dedicated to Apollo, and the other to Æsculapius, as the tutelary deities of the place, sacred to the improvement of the mind, and the care of the body: the two other temples were dedicated to the two protecting divinities of the Antonine family; Hercules and Bacchus. In the principal building were, in the first place, a grand circular vestibule, with four baths on each side, for cold, tepid, warm, and sea baths; in the centre was an immense square for exercise, when the weather was unfavourable for it in the open air: beyond it is a marble hall, where sixteen hundred marble seats were placed for the convenience of the bathers; at each end of this hall were libraries. This building terminated on both sides with a court, surrounded with porticoes, with an odeum for music, and in the middle a spacious basin for swimming. Round this edifice were walks shaded by rows of trees, particularly the plane; and in its front extended a gymnasium, for running, wrestling, &c., in fine weather. The whole was surrounded by a vast portico, opening into spacious halls, where the poets declaimed, and philosophers gave lectures to their auditors.”