Fortunately, the figures in lead pencil on the back-side could assist me, though they sometimes started from quite a wrong point. The Dutch Government ordered 15 pair of photos to be taken from these clichés, and presented them to special musea or societies. _I_, the schemer of the plan, do not belong to the favoured. But the afterwards wrecked Archaeological Society did, notwithstanding I, her president, sent this plan to the Government for about 25 years ago[82]. Those who desire to examine these photos will find here the letters and figures in the _just_ successive number of the sculptures to begin with C 1 south of the eastern staircase. C, 1, 2, 3, 4, 5 and 6; B, 1, 2, 3, 4, 5, 6, 7 and 8; A, 1, 2, 3, 4, 5 and 6; U, 6, 5, 4, 3, 2 and 1; T, 8, 7, 6, 5, 4, 3, 2 and 1; S¹, 6, 5, 4, 3, 2 and 1; S, 1, 2, 3, 4, 5 and 6; R, 1, 2, 3, 4, 5, 6, 7 and 8; Q, 1, 2, 3, 4, 5 and 6; P, 6, 5, 4, 3, 2 and 1; O, 8, 7, 6, 5, 4, 3, 2 and 1; N¹, 6, 5, 4, 3, 2 and 1; N, 1, 2, 3, 4, 5 and 6; M, 1, 2, 3, 4, 5, 6, 7 and 8; L, 1, 2, 3, 4, 5 and 6; K, 6, 5, 4, 3, 2 and 1; I, 8, 7, 6, 5, 4, 3, 2 and 1; H¹, 6, 5, 4, 3, 2 and 1; H, 1, 2, 3, 4, 5 and 6; G, 1, 2, 3, 4, 5, 6, 7 and 8; F, 1, 2, 3, 4, 5 and 6; E, 6, 5, 4, 3, 2 and 1; D, 8, 7, 6, 5, 4, 3, 2 and 1; C¹, 6, 5, 4, 3, 2 and 1; Six of these 160 sculptures are badly damaged whilst one of them is wholly lost. (R. 5). Seven have less suffered. Twenty representations remained partially unfinished (C 3 and 4, B 7, A 2, U 4, S 1, O 7, N 5, M 2, K 4 and 3, H¹ 2, H 1, G 4 and 8, F 2, 4 and 6, D 3 and C¹ 4). Partly _finished_ but for the rest not yet drawn in the rough are 3 scenes (H¹ 1, F¹, and D 4) whereas one (I 1) has been scarcely sketched. On the flat frame above the series we see a few short indications engraved in ancient-javanese characters—dating, according to professor Kern, from about the year 800 of the Syaka-era,—roughly hewed and in a perfunctory manner, as if it were scratched in stone with a knife or a chisel, that is, above H 1, 2, 3 and 4 (twice); 5 (bis) and 6 (bis); F 1, 4, and 5; E 6 and 5; D 8, 6 (bis), 5 (bis), 4, 3 and 1 (bis)[83]. Some of these legends are no more or hardly to be read but the other ones read by Dr. J. Brandes don’t teach us any more than that which we may understand by closely examining the representations themselves, for instance, that the _sĕmbah_ of the persons seated around a tomb or sanctuary refers to a reverence to a _tyaitya_[84]. Some inscriptions may contain the name of the person to be hewed, and to assist the sculptor. The unfinished and scarcely sketched sculptures prove us that they, such as on other _tyanḍis_ at _Parambanan_, have been hardly hewed here on the walls of the finished temples.