For many a hard year he had been used, by compulsion of desperate
circumstance, to counting his two-bit pieces, and now, precisely because
all that had passed, he enjoyed sharply the luxury of counting nothing,
not even the double-eagles. He laid a yellow-backed bill on the glass
counter and received, without regarding it, the change that the now
thoroughly deferential clerk deftly returned to him. Doubtless he was
paying a heavy commission to the hotel's ticket-agent; perhaps he was
obtaining less change than, under the terms of that commission, he was
entitled to; but certainly about none of these things did he care. Toil
had at last granted him success, toil and good luck; and success had
immediately given him the right to emancipation from financial trifling.
There are two times in a man's life when no man counts its cost: the
time of his serious wooing and that of his ultimate illness. Stainton
had come to New York with a twofold purpose; he had come to bury the man
that he had been, and he had come to woo.
He went to his elaborate rooms to dress. For the last decade and more,
he had not worn evening-clothes a score of times, and he now donned the
black suit, fresh from a Fifth Avenue tailor's shop, with a care that
was in part the result of this scant experience and in part the
consequence of a fear of just how ridiculous the new outfit would make
him seem. He endangered the shirt when he came to fasten it; he was
sure that he had unnecessarily wrinkled the white waistcoat, and the tie
occupied his bungling fingers for a full five minutes.
His apprehensions, nevertheless, were unjustified. Something, when the
toilet was completed, rather like a man of fashion appeared to have been
made by the man of the needle out of the man of the pick: if the miner
had not wholly vanished, at least the familiar of Broadway had joined
him. Stainton, critically surveying himself in the pier-glass and
secretly criticising his attitude of criticism, saw nothing that, to his
unaccustomed and therefore exacting eye, presented opportunity for
objection. The figure was heavier, more stalwart than, as he had been
told, was for that season the mode, but the mode, that season, exacted a
slimness that indicated the weakling. The clothes themselves were, on
the other hand, perfection and to the point of perfection they fitted.
The face--
Jim Stainton, with suspended breath, drew the hanging electric-lamp
nearer, leaned forward and studied the reflection of that face closely.
Public-domain text, read in full here on John Shaqi.
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