She was apparently about twenty, and, so far as could be judged from
her sitting position, tall and slight. Her complexion was red and
white, beautifully clear,--the white transparent, the red
scarlet,--and her features regular; small forehead, straight Grecian
nose, very short upper-lip, and mouth small, with lips rather thin
than pouting. Her dark-brown hair (fortunately at that time it was not
considered necessary for beauty to have a red head), taken off behind
the ears in two tight bands, showed the exquisite shape of her head,
which was very small, and admirably fitted on the neck, the only fault
of which was its excess in length. She was dressed entirely in white,
with a green necklace, and a tiny wreath of green ivy-leaves was
intertwined among the braids into which her hair was fastened at the
back of her head. She took her seat gracefully, but looked round, as
Laurence noticed, with a certain air of strangeness, as though
unaccustomed to such scenes; then immediately turned her eyes, not on
the other occupants of the theatre, not on the stage, nor on George
Bertram, who, after some apparent demur, took the front seat opposite
to her, but towards a tall man, who relieved her of her cloak, and
handed her a fan, and in whom Alsager recognized the Charles Mitford
of his Oxford days. A good realization of Tennyson's Sir Walter
Vivian,--
"No little lily-handed baronet he;
A stout broad-shouldered genial Englishman,"--
was Sir Charles Mitford, with strongly-marked, well-cut features,
bright blue eyes, curling reddish-brown hair, large light breezy
whiskers, and a large mouth gleaming with sound white teeth. The sort
of man who, you could tell at a glance, would have a very loud hearty
laugh, would grip your hand until your fingers ached, would be rather
awkward in a room, but who would never flinch across country, and
never grow tired among the turnips or over the stubble. An
unmistakable gentleman, but one to whom a shooting-coat and gaiters
would be more becoming than the evening-dress be then wore, and who
evidently felt the moral and physical restraint of his white choker,
from the way in which he occasionally tugged at that evidence of
civilization. Shortly after they had settled themselves, the curtain
went up, and all eyes were turned to the stage; but Laurence noticed
that Lady Mitford was seated so as to partly lean against her husband,
while his left hand, resting on her chair-back, occasionally touched
the braids of her hair. George Bertram seemed to be entirely
overlooked by his companions, and was able to enjoy his negative
pleasure of holding his tongue to the fullest extent.
Public-domain text, read in full here on John Shaqi.
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