Russell H. Conwell, founder of the Institutional church in America : $b the work and the manBurr, Agnes Rush
Religion
Russell H. Conwell, founder of the Institutional church in America : $b the work and the man
Burr, Agnes Rush
Conwell, Russell H., 1843-1925; Minneapolis (Minn.) -- Biography
Martin Conwell felt he must not spend more on a luxury, and the agent
left. Crossing the fields to seek another purchaser, he met Miranda
Conwell. She asked him if her husband had bought the organ. His answer
was a keen disappointment The mother's heart had sympathized with the
boy's passion for music and knew the joy such a possession would be to
Russell. Ever ready to sacrifice herself, she told the man she would
pay him the ten dollars, if he would wait for it, but not to let her
husband know. The agent returned to Martin Conwell, told him he would
accept his offer, and in a short time a brand new organ was installed
in the farmhouse. Miranda Conwell sewed later at nights, that was all.
Not till she had earned the ten dollars with her needle did she tell
her husband why the agent had, with such surprising celerity, changed
his mind in regard to the price.
Russell's joy in the organ was unbounded, and the mother was more than
repaid for her extra work by his pleasure and delight. He immediately
plunged unaided into the study of music, and he never gave up until he
was complete master of the organ. His was no half-hearted love. The
work and drudgery connected with practising never daunted him. He kept
steadily at it until he could roll out the familiar songs and
hymns while the small room fairly rang with their melody. He also
improvised, composing both words and music, a gift that went with him
into the ministry and which has given the membership of Grace Baptist
Church, Philadelphia, many beautiful hymns and melodies.
Later he learned the bass viol, violoncello and cornet, and made money
by playing for parties and entertainments in his neighborhood. Years
afterward, when pastor of Grace Church, and with the Sunday School
on an excursion to Cape May, he saw a cornet lying on a bench on the
pier. Seized with a longing to play again this instrument of his
boyhood, he picked it up and began softly a familiar air. Soon lost to
his surroundings, he played on and on. At last remembering where he
was, he laid down the instrument and walked away. The owner, who had
returned, followed him and offered him first five dollars and then ten
to play that night for a dance at Congress Hall.
Public-domain text, read in full here on John Shaqi.
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