The riches thus brought together have suffered many changes. The
court was frequently moved, the state of the empire was continually
disturbed, fires were of frequent occurrence, and necessity at times
caused much treasure to be melted down. The Tsar's favourites received
no doubt from time to time acceptable marks of his approbation in
the shape of rich presents, and many specimens of plate found their
way probably in a similar manner to the churches and monasteries. But
notwithstanding all this, there still remains permanently installed
and carefully guarded in the treasury of the Kremlin a collection
of plate which, for extent, variety, and interest, may rival that
in any other palace in the world.
It appears to have been customary during the last two centuries
at least to make a grand display of this treasure on the occasion
of the visit of the sovereign, and especially during the ceremonies
of the coronation. Then, in the centre of the hall in the ancient
_Terem_, known as the gold room, where the Tsar dines in solitary
state, a kind of buffet is arranged and other stands disposed,
loaded and groaning with this rich accumulation.
Great splendour and richness of material, the lavish use of jewels in
the decoration, and the brilliant colour derived from the employment
of enamels are characteristics of eastern art in the precious metals.
But while we are struck by the delicacy and refinement with which
these are employed by many eastern countries, and while we admire
the taste and harmony of colour displayed by the workmen of India
or of Persia, it must be confessed that the Russian tempted by the
glitter and display which are so much in accordance with his own
taste, has been unable to use the same judgment as those whom he
has taken as his models. Few would deny that there reigns throughout
his work that quality which is best expressed by the term--barbaric
magnificence. This is not vulgarity: such a term is not applicable;
it is the outcome of the desire which is to be found amongst all
nations who have attained a certain degree of civilization and
riches to impose respect and awe by a lavish display of material
wealth or by the use of gorgeous colour, which always calls forth
the admiration of the multitude.
Public-domain text, read in full here on John Shaqi.
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