The book has no particular form, other than that given it by a more or less accurate adherence to chronology in setting down things seen and heard. It is far too incomplete to allow me to call it a Journal. I think I could have made it twice as long without repetitions, and I am not at all sure that in choosing in a hurry between this and that I did not omit much which could with advantage be substituted for what is here set down. There is nothing here of my talk with the English soldier prisoners and nothing of my visit to the officers confined in the Butyrka Gaol. There is nothing of the plagues of typhus and influenza, or of the desperate situation of a people thus visited and unable to procure from abroad the simplest drugs which they cannot manufacture at home or even the anaesthetics necessary for their wounded on every frontier of their country. I forgot to describe the ballet which I saw a few days before leaving. I have said nothing of the talk I had with Eliava concerning the Russian plans for the future of Turkestan. I could think of a score of other omissions. Judging from what I have read since my return from Russia, I imagine people will find my book very poor in the matter of Terrors. There is nothing here of the Red Terror, or of any of the Terrors on the other side. But for its poverty in atrocities my book will be blamed only by fanatics, since they alone desire proofs of past Terrors as justification for new ones. On reading my manuscript through, I find it quite surprisingly dull. The one thing that I should have liked to transmit through it seems somehow to have slipped away. I should have liked to explain what was the appeal of the revolution to men like Colonel Robins and myself, both of us men far removed in origin and upbringing from the revolutionary and socialist movements in our own countries. Of course no one who was able, as we were able, to watch the men of the revolution at close quarters could believe for a moment that they were the mere paid agents of the very power which more than all others represented the stronghold they had set out to destroy. We had the knowledge of the injustice being done to these men to urge us in their defence. But there was more in it than that. There was the feeling, from which we could never escape, of the creative effort of the revolution. There was the thing that distinguishes the creative from other artists, the living, vivifying expression of something hitherto hidden in the consciousness of humanity. If this book were to be an accurate record of my own impressions, all the drudgery, gossip, quarrels, arguments, events and experiences it contains would have to be set against a background of that extraordinary vitality which obstinately persists in Moscow even in these dark days of discomfort, disillusion, pestilence, starvation and unwanted war. ARTHUR RANSOME. CONTENTS