Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
On coming from France, I have often noticed a significant fact, which
is, that at the French station of Hendaye there is a stand for the sale
of all the popular and celebrated novels; while at Irun, just across the
frontier, only a few steps away, but Spanish, there is nothing to be had
but a few miserable, trashy books, and not a sign of even our own best
novelists' works. From the moment we set foot on Spanish soil the
novel, as a social element, disappears. It is sad to say, but it is so
true that it would be madness to build any illusions on this matter. And
yet the instinct, the desire, the inexplicable anxiety of the artist to
embody and transmit the great truths of life, the impulse that lifts men
to great deeds, and to desire to be the voice of the people, is secretly
stimulating the Spanish novelists to break the ice of general
indifference, to put themselves in communication with the sixty million
souls and intelligences that to-day speak our language. Is the goal
which we desire to attain inaccessible? Perhaps; but as the immense
difficulties in the way of penetrating to the Arctic regions and the
discovery of the open Polar Sea are but an incentive to the explorer, so
the impossible in this undertaking should incite and spur on the masters
of the Iberian novel.
A few words of humble confession, and I have done.
I feel that there is a certain indecision and ambiguity running through
these essays of mine. I could not quite condemn the revolution in
Russia, nor could I altogether approve its doctrines and discoveries. A
book must reflect an intellectual condition which, in my case, is one of
uncertainty, vacillation, anxiety, surprise, and interest. My vision has
not been perfectly clear, therefore I have offered no conclusive
judgments,--for conviction and affirmation can only proceed from the
mind they have mastered. Russia is an enigma; let those solve it who
can,--I could not. The Sphinx called to me; I looked into the depths of
her eyes, I felt the sweet and bewildering attraction of the unknown, I
questioned her, and like the German poet I wait, with but moderate hope,
for the answer to come to me, borne by voices of the ocean of Time.
Public-domain text, read in full here on John Shaqi.
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