Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
The oceans that lie upon the boundaries of Russia send no refreshing
breezes over her vast continental expanse, for the White Sea, the
Arctic, the Baltic, and sometimes the Caspian, are often ice-bound,
while the waves of the Sea of Asof are turbid with the slime of marshes.
Neither does Russia enjoy the mild influence of the Gulf Stream, whose
last beneficent waves subside on the shores of Scandinavia. The winds
from the Arctic region sweep over the whole surface unhindered all the
winter long, while in the short summer the fiery breath of the central
Asian deserts, rolling over the treeless steppes, bring an intolerable
heat and a desolating drought. Beyond Astrakan the mercury freezes in
winter and bursts in the summer sun. Under the rigid folds of her winter
shroud Russia sleeps the sleep of death long months at a time, and upon
her lifeless body slowly and pauselessly fall the "white feathers" of
which Herodotus speaks; the earth becomes marble, the air a knife. A
snow-covered country is a beautiful sight when viewed through a
stereopticon, or from the comfortable depths of a fur-lined,
swift-gliding sleigh; but snow is a terrible adversary to human
activity. If its effects are not as dissipating as excessive heat, it
none the less pinches the soul and paralyzes the body. In extreme
climates man has a hard time of it, and Nature proves the saying of
Goethe: "It envelops and governs us; we are incapable of combating it,
and likewise incapable of eluding its tyrannical power." Formidable in
its winter sleep, Nature appears even more despotic perhaps in its
violent resurrection, when it breaks its icy bars and passes at once
from lethargy to an almost fierce and frenzied life. In the spring-time
Russia is an eruption, a surprise; the days lengthen with magic
rapidity; the plants leaf out, and the fruits ripen as though by
enchantment; night comes hardly at all, but instead a dusky twilight
falls over the land; vegetation runs wild, as though with impatience,
knowing that its season of happiness will be short. The great writer,
Nicolaï Gogol, depicts the spring-time on the Russian steppes in the
following words:
Public-domain text, read in full here on John Shaqi.
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