Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
It may be said, and with good reason, that if I could not learn the
language I might at least have made a trip to Russia, and like Madame de
Staël when she revealed to her countrymen the culture of a foreign land,
see the places and people with my own eyes. But Russia is not just
around the corner, and the women of my country, though not cowardly, are
not accustomed to travel so intrepidly as for example the women of Great
Britain. I have often envied the good fortune of that clever Scotchman,
Mackenzie Wallace, who has explored the whole empire of Russia, ridden
in sleighs over her frozen rivers, chatted with peasants and _popes_,
slept beneath the tents of the nomadic tribes, and shared their offered
refreshment of fermented mare's-milk, the only delicacy their
patriarchal hospitality afforded. But I acknowledge my deficiencies, and
can only hope that some one better qualified than I may take up and
carry on this imperfect and tentative attempt.
I have tried to supply from other sources those things which I lacked.
Not only have I read everything written upon Russia in every language
with which I am acquainted, but I have associated myself with Russian
writers and artists, and noted the opinions of well-informed persons
(who often, however, be it said in parenthesis, only served to confuse
me by their differences and opposition). A good part of the books (a
list of which I give at the end) were hardly of use to me, and I read
them merely from motives of literary honesty. To save continual
references I prefer to speak at once and now of those which I used
principally: Mackenzie Wallace's work entitled "Russia" abounds in
practical insight and appreciation; Anatole Leroy-Beaulieu's "The Empire
of the Czars" is a profound, exact, and finished study, so acknowledged
even by the Russians themselves in their most just and calm judgments;
Tikomirov's "Russia, Political and Social" is clear and comprehensible,
though rather radical and passionate, as might be expected of the work
of an exile; Melchior de Voguié's "The Russian Novel" is a critical
study of incomparable delicacy, though I do not always acquiesce in his
conclusions. From these four books, to which I would add the remarkable
"History of Russia" by Rambaud, I have drawn copious draughts; and
giving them this mention, I may dispense with further reference to
them.
II.
The Russian Country.
Public-domain text, read in full here on John Shaqi.
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