Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
It will be seen therefore that the people were not irrelevant in
confounding nihilism with a religions sect. As far as our rationalist
age will admit, the nihilist dissenter resembles the great heretics of
the Middle Ages; he has traces of the Millenarian, of Sakya Muni, and of
the German pantheists; and he has the blind faith, the hazy transports,
the dogmatical and absolute affirmation of the persecuted religious
sects, and of esoteric and subterranean beliefs. He adores a divinity
without feelings, deaf and primitive, and this adoration is the
corner-stone of the nihilist temple. The _mujik_ sublimated by Russian
literature is the god of nihilism.
IV.
Going to the People.
Here is a passage from Tikomirov's book to illustrate this aspect of
Russian revolution:--
"Where is there any sociological theory that can explain the
crusade taken up in 1873 by thousands of young men and women
determined to _go to the people_? The word crusade is
appropriate. Our youths left the bosom of their families;
our maidens abandoned the worldly pleasures of life. Nobody
thought of his own welfare; the great cause absorbed all
attention, and the nervous tension was such that many were
able to endure, without injury to health, unusual and
dreadful privations. They gave up their past life and all
their property, and if any vacillated in offering his
fortune to the cause, he was looked upon with pity and
contempt. Some renounced official positions and gave all
their means, even to thousands of rubles; others, like
Prince Krapotkine, from being _savants_, diplomats and
opulent, became humble artisans. The prince took to painting
doors and windows. Rich heiresses sought occupation as
factory operatives, even some who had reigned as belles in
aristocratic salons. It was as though, exiled from other
classes of society, they found, in turning to the people,
their souls' true country."
Do not these words almost seem to describe the beginnings of
Christianity in Rome?
The idol takes no notice of his fanatical adorers, nor perhaps does he
understand them any better than the peasant-woman of Toboso understood
the amorous suit with which Don Quixote wooed her malformed and
dishevelled person. The Russian peasant cannot make anything of theories
and apotheoses evolved from an intellectual condition amounting to
rapturous frenzy. "Oh that I might die," exclaims a devout nihilist,
"and that my blood like a drop of hot lead could burn and arouse the
people!" This thirst for martyrdom is common, but above all is the
anxiety to be amalgamated with the people, to know them, and if possible
to infuse them with the enthusiasm they feel themselves.
Public-domain text, read in full here on John Shaqi.
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