Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
Materialism and positivism soon came also to replace the visions of
Herzen; for when Alexander II. opened the frontiers which the inflexible
Nicholas had closed, the students brought home new idols from the German
universities. Schopenhauer and Buchner superseded Hegel and Feuerbach.
Schopenhauer, with his pessimism, his theory of Nirvana and universal
annihilation, arrived just in time to foster the germs of fatalism
dormant within the Russian soul; and Buchner, by means of his very
superficial but eloquent book, was also in season to offer an
accessible, clear, and popular formula to unthinking minds and negative
or indolent temperaments; "Force and matter" was for a time the Bible of
Russian students. It will be readily seen that the revolutionary formula
and methods in Russia always came from abroad; but they met with
tendencies which were unexpected, even though they proved favorable to
development. The philosophy of nihilism was drawn from Western sources,
no doubt; yet this phenomenon made its appearance only in Russia, a land
predisposed to realism and mysticism, to brutality and languor, and
above all to melancholy limitless as its plains.
We are told of the now famous saying of a nihilist, who, being asked his
doctrines, replied, "To see earth and heaven, Church and State, God and
king, and to spit upon them all!" Although the verb to _spit_ is not so
offensive in Russia as here, and is rather a sign of repugnance than of
insult, such a reply contains the sum of negative nihilism; and
negation, the critical period, cannot last longer than the despairing
sigh of the dying. The active phase of nihilism, the reign of terror,
passed by quickly, and now the party is beginning to lay aside its
ferocious radicalism and deal with realities.
VI.
The Reign of Terror.
Public-domain text, read in full here on John Shaqi.
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