Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
The reign of terror was short but tragic. We have seen that the active
nihilists were a few hundred inexperienced youths without position or
social influence, armed only with leaflets and tracts. This handful of
boys furiously threw down the gauntlet of defiance at the government
when they saw themselves pursued. Resolved to risk their heads (and with
such sincerity that almost all the associates who bound themselves to
execute what they called _the people's will_ have died in prison or on
the scaffold), they adopted as their watchword _man for man_. When the
sanguinary reprisals fell upon Russia from one end to the other, the
frightened people imagined an immense army of terrorists, rich, strong,
and in command of untold resources, covering the empire. In reality, the
twenty offences committed from 1878 to 1882, the mines discovered under
the two capitals, the explosions in the station at Moscow and in the
palace at St. Petersburg, the many assassinations, and the marvellous
organization which could get them performed with circumstances so
dramatic and create a mysterious terror against which the power of the
government was broken in pieces,--all this was the work of a few dozens
of men and women seemingly endowed with ubiquitousness, so rapid and
unceasing their journeys, and so varied the disguises, names, and
stratagems they made use of to bewilder and confound the police. It was
whispered that millions of money were sent in from abroad, that there
were members of the Czar's family implicated in the conspiracy, that
there was an unknown chief, living in a distant country, who managed the
threads of a terrible executive committee which passed judgment in the
dark, and whose decrees were carried out instantly. Yet there were only
a few enthusiastic students, a few young girls ready to perform any
service, like the heroine of Turguenief's "Shadows;" a few thousand
rubles, each contributing his share; and, after all, a handful of
determined people, who, to use the words of Leroy-Beaulieu, had made a
covenant with death. For a strong will, like intelligence or
inspiration, is the patrimony of the few; and so, just as ten or twelve
artist heads can modify the æsthetic tendency of an age, six or eight
intrepid conspirators are enough to stir up an immense empire.
Public-domain text, read in full here on John Shaqi.
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