English essays -- 20th century; Russia; Russia -- Fiction; Russia -- Social life and customs; Short stories, English
Between Saratov and Tzaritsin the character of the river changes
altogether, the vegetation begins to dwindle, the great hills on the
right bank of the river diminish, and the farther one travels south
the lower they become. The left bank is flat, monotonous, and green as
before. The river itself broadens, and in some places it is several
kilometres wide. You get the impression that you are travelling on
a large lake or on a sea rather than on a river. The farther south
one travels the greater is the beauty of the river. It is a solemn,
majestic river; one understands its having been the mother and
inspirer of a quantity of poetry, of folk-song and folk-lore; and
one understands, too, how appropriate the deep octaves, the broad
slow-dying notes and echoes of the Volga songs are to these great
melancholy spaces of shining water. Every day on the steamer between
Saratov and Astrakan I awoke at dawn and went out on to the deck to
sniff the freshness and to watch the process of daybreak. The soft,
grey sky trembled into a delicate tint of lilac, and over the far-off
banks of the river, which were distant enough to have the appearance
of a range of violet hills, came the first blush of dawn, and then
a deeper rose, while the whole upper sky was washed with a clean
daffodil colour, which was reflected in silver on the blue water. And
then the sun rose--a huge red ball of fire, casting golden scales
beneath him on to the water.
Towards noon, perhaps, the sky will be piled with white clouds, and the
river looks like an immense hard glass, reflecting in unruffled detail
every curve and shadow of the cloudland, and the small motionless trees
of the banks which in the sunless heat are as unreal as a mirage. Later
in the afternoon the water seems to grow more and more luminous; the
sensation of some kind of enchantment, of something wizard-like and
unreal increases, and one would not be surprised to catch sight of
the walls of Tristram’s Castle in the air, the wizard walls to which
he promised to bring Iseult--the castle built of the stuff of which
rainbows are made, of fire, dew, and the colours of the morning. But
with the sunset this feeling of unreality and enchantment ceases and
gives way; the nearer bank stands out in sharp outline, intensely real
between purple skies and grey waters, and over the farther bank hangs
the intense blue of woody distances. Between Tzaritsin and Astrakan
the character of the river changes yet again. The hills on the right
bank vanish altogether; both the banks are flat now--unlimited steppes
possessing scant vegetation and culminating in steep banks of yellow
sand. It was here that the river reminded me of the Nile.
Public-domain text, read in full here on John Shaqi.
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