Then the Prince remembered about his wife. He jumped up from table, caught her by her white hands, and seated her close by his side. From that time forward they lived together in all happiness and prosperity. [With this story may be compared a multitude of tales in very many languages. In German for instance, "Der König vom goldenen Berg," (Grimm, _KM._ No. 92. See also Nos. 51, 56, 113, 181, and the opening of No. 31), "Der Königssohn und die Teufelstochter," (Haltrich, No. 26), and "Grünus Kravalle" (Wolf's "Deutsche Hausmärchen," No. 29)--the Norse "Mastermaid," (Asbjörnsen and Moe, No. 46, Dasent, No. 11) and "The Three Princesses of Whiteland," (A. and M. No. 9, Dasent, No. 26)--the Lithuanian story (Schleicher, No. 26, p. 75) in which a "field-devil" exacts from a farmer the promise of a child--the Wallachian stories (Schott, Nos. 2 and 15) in which a devil obtains a like promise from a woodcutter and a fisherman--the Modern Greek (Hahn, Nos. 4, 5, 54, and 68) in which a child is promised to a Dervish, a _Drakos_, the Devil, and a Demon--and the Gaelic tales of "The Battle of the Birds" and "The Sea-maiden," (Campbell, Nos. 2 and 4) in the former of which the child is promised to a Giant, in the latter to a Mermaid. The likeness between the Russian story and the "Battle of the Birds" is very striking. References to a great many other similar tales will be found in Grimm (_KM._ iii. pp. 96-7, and 168-9). The group to which all these stories belong is linked with a set of tales about a father who apprentices his son to a wizard, sometimes to the Devil, from whom the youth escapes with great difficulty. The principal Russian representative of the second set is called "Eerie Art," "Khitraya Nauka," (Afanasief, v. No. 22, vi. No. 45, viii. p. 339).