_Angey_, Tsar. Filuyán is a fabulous city found in the cantations and mystical rites of the Russian peasants. It is, however, probably derived from the Greek Θύλη. _Bába Yagá._ In Professor Sypherd’s studies on Chaucer’s _House of Fame_, Chaucer Society, 1904, a most valuable note will be found on revolving houses. It will be seen that the legend is cognate with magic wheels that revolve at great speed, or turn on wheels emitting flame and poison. The nearest analogy quoted is the whirling rampart in the _Mael Duinn_, but the Russian legend is evidently related and not derived. _Bogatýr._ The _bogatýr_ is the Russian Knight, but is absolutely unlike any Western romantic notion. He is a person of magical power and gigantic stature and prowess. Some of the _bogatyrí_ are decidedly demi-gods; others more decisively human; but they all have some superhuman, it may be said inhuman, touch. The derivation of the word has been very much in dispute. The characteristic thing to note is that the word is only found in Russian, and in no other Slavonic language, and is almost certainly of Tatar origin, the original form being something like _Bagadur_. The Sanskrit derivation which is attempted of _Baghadhara_ seems scarcely probable. Goryáyev’s dictionary states that the original meaning was a company-commander of the Tatars. If so, _bogatýr_ is probably a corruption (through _bog_ God and _bogat_ rich) of the form _buĭtur_, found in the Slóvo, which is certainly cognate with the Turanian root _buĭ_, to command. _v._ notes in my edition of Igor. _Bryánsk._ Bryánsk in the Province of Orél contains wonderful woods which were in ancient times impenetrable, and became the legendary home of magic, and of weird happenings. The Aspen tree is always associated in Russian folk-lore with magic and wizardry; it is also said that Judas hanged himself on this tree. _Chernígov._ An ancient city of Russia on the Dniepr, a little higher up than Kíev. _Christ._ As, in German folk-lore, the legends of Christ walking the earth with His disciples are very frequent and characteristic. There is a touch of friendly familiarity in this presentation which does not involve the least irreverence, but adds a touch of sarcastic humour which the Germans lack. _The Brother of Christ._ For the punishment of the old man who grumbled at the good things of earth there is a surprisingly close analogy in Dante’s _Inferno_, canto vii. “Fitti nel limo dicon; Tristi fummo Nell’ aer dolce che dal sol s’allegra, Portando dentro accidioso fummo: Or c’ attristiam nella belletta negra.” “Sunk in the slime they utter: ‘Loth were we, In sweet air sullen, which the sun makes glad, Our souls besmirched with dull reluctancy: Now in this black morass, our hearts are sad.’” _Chufil-Filyushka._ Both these names are adaptations of the Greek Θεόφιλος.