_The Swan Maiden._ This is one of the most baffling figures in Russian mythology. She corresponds to the Siren of Greece, and the Lorelei of Germany, but is very distinct in all her characteristics. She is also called in the Russian Devítsa (maiden), which may be a corruption of Dívitsa, the feminine of _Div_, one of the ancient pagan deities of Russia. Like the Lorelei, she is said to sit on the rocks and draw sailors down into the depths, but her more human characteristics are stated in this story. _Thoughtless Word._ The devil in this story is the popular myth of the water-gods or sprites, elsewhere called the _vodyanóy_ or _vódyánik_. The point of detail, that after the rescue of the maiden the boy has to walk backwards until he reaches the high road, is rather similar to the Celtic notion of Widdershins, the superstition that anyone who walked round the churchyard contrary to the direction of the sun would be captured by the fairies. _Túgarin Zmyéyevich._ Túgarin Zmyéyevich, the strong man, the Serpent’s Son. _Vazúza and Vólga._ Similar stories are told of other rivers. The old Russian ballads give names and patronymics to their rivers such as the people use for themselves, e.g. Dněpr Slovútich Don Iványch. The Vazúza is a short stream crossing the borders of the provinces of Tver and Smolensk, meeting a great bend of the Vólga at Zubtsóv (in the province of Tver). The Sea of Khvalýnsk is the Caspian, so called from an ancient people (the Khvalísi) of the eleventh and tenth centuries, who lived at the mouth of the Vólga in the Caspian. There is also a town called Khvalýnsk on the Vólga in the province of Sarátov, above the city of Sarátov. This particular story is probably a poetization of a geographical fact, but in all the Russian folk-lore the river-gods play a very great part. Thus Igor in The Word of Igor’s Armament, on the occasion of his defeat, has a very beautiful colloquy with the Donéts. At least two of the heroes of the ballad cycle, Don Ivánovich and Sukhán Odikhmántevich, are in some aspects direct personifications of the rivers, whilst the river-gods exercise a direct and vital influence over the fortunes of several others, such as Vasíli Buslávich and Dobrýnya Nikítich. Many Russian rivers have been rendered almost into human characters. The ordinary speech is still of Mother Vólga. In the Nóvgorod ballads there is a mention of Father Volkhov, much as we speak of Father Thames, and there were very great possibilities of the development of a river mythology which did not succeed. It is worth observing that in one ballad dealing with Vasíli Buslávich, the hero of Nóvgorod, this semi-comic figure is twitted by the men of Nóvgorod that he will one day turn the Volkhov into _Kvas_ (q.v.): i.e. he will one day set the Thames on fire. [Rybnikov, I, 336].