Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
The first Russian Bible was printed in Poland in 1580. A few years
later a printing office was established at Moscow, and the Russian
Church authorities had now to decide which of the written texts then
in circulation should be taken for the printing of the Holy Books.
The handwritten copies which were in use at that time were full of
errors, and it was evidently necessary to revise them by comparing
them with the Greek texts before committing any of them to print. This
revision was undertaken at Moscow, with the aid of learned men brought
over partly from Greece and partly from the Greco-Latin Academy of
Kieff; but for many different reasons this revision became the source
of a widely spread discontent, and in the middle of the seventeenth
century a formidable split (_raskól_) took place in the Church. It
hardly need be said that this split was not a mere matter of theology,
nor of Greek readings. The seventeenth century was a century when the
Moscow Church had attained a formidable power in the State. The head
of it, the Patriarch Níkon, was, moreover, a very ambitious man, who
intended to play in the East the part which the Pope played in the
West, and to that end he tried to impress the people by his grandeur
and luxury--which meant, of course, heavy impositions upon the serfs
of the Church and the lower clergy. He was hated by both, and was soon
accused by the people of drifting into “Latinism”; so that the split
between the people and the clergy--especially the higher clergy--took
the character of a wide-spread separation of the people from the Greek
Church.
Most of the Non-conformist writings of the time are purely scholastic
in character and consequently offer no literary interest. But the
memoirs of a Non-conformist priest, AVVAKÚM (died 1681), who was exiled
to Siberia and made his way on foot, with Cossack parties, as far as
the banks of the Amúr, deserve to be mentioned. By their simplicity,
their sincerity, and absence of all sensationalism, they have remained
the prototype of Russian memoirs, down to the present day. Here are a
few quotations from this remarkable work:
Public-domain text, read in full here on John Shaqi.
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