Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
In _Váreñka Olésova_ Górkiy expresses all his contempt for the average
“intellectual” of our own days. He introduces to us the interesting
type of a girl, full of vitality; a most primitive creature, absolutely
untouched by any ideals of liberty and equality, but so full of an
intense life, so independent, so much herself, that one cannot but feel
greatly interested in her. She meets with one of those “intellectuals”
who know and admire higher ideals, but are weaklings, utterly devoid of
the nerve of life. Of course, Váreñka laughs at the very idea of such a
man’s falling in love with her; and these are the expressions in which
Górkiy makes her define the usual hero of Russian novels:
“The Russian hero is always silly and stupid,” she says; “he is always
sick of something; always thinking about something that cannot be
understood, and is himself so miserable, so mi-i-serable! He will
think, think, then talk, then he will go and make a declaration of
love, and after that he thinks, and thinks again, till he marries....
And when he is married, he talks all sorts of nonsense to his wife,
and then abandons her.” (_Váreñka Olésova_, II, 281.)
Górkiy’s favourite type is the “rebel”--the man in full revolt against
Society, but at the same time a strong man, a power; and as he has
found among the tramps with whom he has lived at least the embryo of
this type, it is from this stratum of society that he takes his most
interesting heroes.
In _Konováloff_ Górkiy himself gives the psychology, or, rather, a
partial psychology, of his tramp hero:--“An ‘intellectual’ amongst
those whom fate has ill-used--amongst the ragged, the hungry and
embittered half-men and half-beasts with whom the city slums
teem.”--“Usually a being that can be included in no order,” the man
who has “been torn from all his moorings, who is hostile to everything
and ready to turn upon anything the force of his angry, embittered
scepticism” (II, 23). His tramp feels that he has been defeated in
life, but he does not seek excuse in circumstances. Konováloff, for
instance, will not admit the theory which is in such vogue among the
educated ne’er-do-well, namely, that he is the sad product of adverse
conditions. “One must be faint-hearted indeed,” he says, “to become
such a man.” “I live, and something goads me on” ... but “I have no
inner line to follow ... do you understand me? I don’t know how to say
it. I have not that spark in my soul, ... force, perhaps? Something is
missing; that’s all!” And when his young friend who has read in books
all sorts of excuses for weakness of character mentions “the dark
hostile forces round you,” Konováloff retorts: “Then make a stand!
take a stronger footing! find your ground, and make a stand!”
Public-domain text, read in full here on John Shaqi.
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