Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
Some of Górkiy’s tramps are, of course, philosophers. They think about
human life, and have had opportunities to know what it is. “Everyone,”
he remarks somewhere, “who has had a struggle to sustain in his life,
and has been defeated by life, and now feels cruelly imprisoned amidst
its squalor, is more of a philosopher than Schopenhauer himself; for
abstract thought can never be cast into such a correct and vivid
plastic form as that in which is expressed the thought born directly
out of suffering.” (I, p. 31.) “The knowledge of life among such men is
striking,” he says again.
Love of nature is, of course, another characteristic feature of the
tramp--“Konováloff loved nature with a deep, inarticulate love, which
was betrayed only by a glitter in his eyes. Every time he was in the
fields, or on the river bank, he became permeated with a sort of peace
and love which made him still more like a child. Sometimes he would
exclaim looking at the sky: ‘Good!’ and in this exclamation there was
more sense and feeling than in the rhetoric of many poets.... Like all
the rest, poetry loses its holy simplicity and spontaneity when it
becomes a profession.” (I, 33-4.)
However, Górkiy’s rebel-tramp is not a Nitzscheite who ignores
everything beyond his narrow egotism, or imagines himself a “man”; the
“diseased ambition” of “an intellectual” is required to create the true
Nitzscheite type. In Górkiy’s tramps, as in his women of the lowest
class, there are flashes of greatness of character and a simplicity
which is incompatible with the super-man’s self-conceit. He does not
idealise them so as to make of them real heroes; that would be too
untrue to life: the tramp is still a defeated being. But he shows how
among these men, owing to an inner consciousness of strength, there are
moments of greatness, even though that inner force be not strong enough
to make out of Orlóff (in _The Orlóffs_) or Iliyá (in _The Three_) a
real power, a real hero--the man who fights against those much stronger
than himself. He seems to say: Why are not you, intellectuals, as truly
“individual,” as frankly rebellious against the Society you criticise,
and as strong as some of these submerged ones are?
Public-domain text, read in full here on John Shaqi.
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