Great Britain -- Foreign relations -- Russia; Russia -- Foreign relations -- Great Britain; Russia -- Social life and customs
of the Turks."[1]
[1] _The Invasion of the Crimea_. Sixth edition.
[Illustration: NICOLAS KIRÉEFF]
I saw it stated in the newspapers a short time back that a German
officer and some hundred and fifty men had surrendered to the British,
stating that he and his men would probably be of more use to Germany
alive than dead. When I think of the tragedy surrounding the death of
my brother, Nicholas Kiréeff, I can now see that he served Russia
better by his death than he could by living for her.
The news of his heroic fall passed from one end {34} of Russia to the
other like the notes of a bugle calling an army into being. But for
his death my own humble efforts to bring about a better understanding
between two great nations might possibly never have been attempted.
There is probably no evil out of which good cannot be formed.
The effect of my brother's death was instantaneous and electrical. He
was the first Russian volunteer to fall in the cause of freedom, the
cause that people in Great Britain could not or would not understand.
Officers and men of the Russian army clamoured to go to the front. By
giving his life freely for the sake of his conscience, my brother was
the instrument of Russia doing one of the finest things that any nation
has ever done.
Kinglake has written:
"It may be that the grandeur of the young colonel's form and stature,
and the sight of the blood, showing vividly on his white attire, added
something extraneous and weird to the sentiment which might well be
inspired by witnessing his personal heroism ... but, be that as it may,
the actual result was that accounts of the incident--accounts growing
every day more and more marvellous--flew so swiftly from city to city,
from village to village, that before seven days had passed, the
smouldering fire of Russian enthusiasm leapt up into a dangerous flame.
Under countless green domes, big and small, priests fiercely chanting
the 'Requiem' for a young hero's soul, and setting forth the glory of
dying in defence of 'syn-orthodox' brethren, drew warlike responses
from men who--whilst still in cathedral or church--cried aloud that
they, too, would go where the young {35} Kiréeff had gone; and so many
of them hastened to keep their word, that before long a flood of
volunteers from many parts of Russia was pouring fast into Belgrade.
To sustain the once kindled enthusiasm apt means were taken. The
simple photograph, representing the young Kiréeff's noble features,
soon expanded to large-sized portraits; and Fable then springing
forward in the Path of Truth, but transcending it with the swiftness of
our modern appliances, there was constituted in a strangely short time
one of those stirring legends which used to be the growth of long
years--a legend half warlike, half superstitious, which exalted its
really tall hero to the dimensions of a giant, and showed him piling up
hecatombs by a mighty slaughter of Turks."[2]
[2] _The Invasion of the Crimea_. Sixth edition.
Public-domain text, read in full here on John Shaqi.
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