After the Ballet “Sadko,” I walked home with Michael Borodin. We had
supper together of cabbage-soup and tepid rice, and talked until 2 a.m.
Michael always says that the food is eatable, even if it is not. He
never complains, he just pretends to eat it, sometimes I see his
pretence. This evening he talked to me about my work. He wants me to
think about a statue interpreting the Soviet idea, and told me a good
deal about the Third International, as representing a world brotherhood
of workers. The plan of the Third International is very fine: “Workmen
of the world unite.” If they did unite they could hold the peace of the
world for ever. But unity is hard to attain; I wonder if it is not
unattainable. Everything that one hears and sees here stirs the
imagination--my mind is seething with allegories with which to express
them, but they are so big that I should have to settle for life on the
side of a mountain, and hew out my allegories from the mountain side.
To-night, in his big Gothic room, I paced back and forth, my arm through
Michael’s, talking abstractedly, until his calmness calmed me. He knows
that I have been going through a period of waiting, not unmixed with
despair and anxiety. I understand so little about the Russian
temperament, and hear such conflicting reports, that it is difficult to
know what to expect. He has encouraged and cheered and tolerated me. He
reminds me sometimes of Munthe,[6] in his adhesion to his convictions,
and his demand that one should live up to one’s idealism.
OCTOBER 6TH.
Spent the morning darning my stockings and reading Rupert Brooke. I was
depressed to the point of resignation. It is always blackest before
dawn: at 2 o’clock the Commandant of the house walked in with a
telephone message: “Greetings from Comrade Kameneff, and all is prepared
for you to go and do Lenin in his room to-morrow, from 11 till 4
o’clock.”
It was marvellous news. I went directly to the Kremlin, and with the
help of someone from the Foreign Office, got my stands and clay moved
from my studio to Lenin’s room. I happily had him built up, ready to
work on as soon as the order should come.
OCTOBER 7TH.
Borodin accompanied me to the Kremlin. On the way he said to me: “Just
remember that you are going to do the best bit of work to-day that you
have ever done.” I was anxious, rather, about the conditions of the room
and the light.
We went in by a special door, guarded by a sentry, and on the third
floor we went through several doors and passages, each guarded. As I was
expected, the sentries had received orders to let me pass. Finally, we
went through two rooms full of women secretaries. The last room
contained about five women at five tables, and they all looked at me
curiously, but they knew my errand. Here Michael handed me over to a
little hunchback, Lenin’s private secretary, and left me. She pointed to
a white baize door, and I went through. It did not latch, but merely
swung behind me.
Public-domain text, read in full here on John Shaqi.
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