Russian Prisons: St. Peter and St. Paul; the Schlüsselburg; the Ostrog at Omsk; the story of Siberian exile; Tiumen, Tomsk, SaghalienGriffiths, Arthur
History
Russian Prisons: St. Peter and St. Paul; the Schlüsselburg; the Ostrog at Omsk; the story of Siberian exile; Tiumen, Tomsk, Saghalien
Griffiths, Arthur
Exiles -- Russia (Federation) -- Siberia -- History; Prisons -- Russia -- History
Each room had its nickname, the survival of a dim and distant past. One
was called the “Sanhedrin,” another the “Yakutsk,” a third the “Volost,”
and a fourth the “Nobles’ room.” There was always a large contingent of
clever and well educated young men among the politicals, but the popular
idea of the lesser officials that they were all nobles, princes and
counts was ridiculously far-fetched. Still, they profited by the
civility and consideration accorded to them. Many were deeply read; many
were members of the universities who were eager to improve themselves.
Some of them were known as “Siriuses,” a prison name given to the ardent
students, who worked in the middle of the night, taking advantage of the
hours of perfect stillness broken only by the snores of the sleepers.
The “Sirius” turned in early in the evening when the noisy chatter of
many voices was disturbing to study, but he could sleep through it and,
waking at midnight, would light the shaded lamp at his table and work
till dawn. Then when Sirius, star of the morning, arose, he again took a
short rest for a couple of hours.
The attainments of these students sometimes reached a high standard;
they were proficient in metaphysics, abstruse mathematics, or languages,
and professors in each of these branches were glad to take pupils.
Marvellous skill in handicrafts was also acquired, mainly from books of
technical instruction, and lessons in theory were admirably applied in
practice. One clever workman constructed a pocket lathe out of a few old
rusty nails, and by its help fashioned all the parts of a clock which
kept good time, although he was no watchmaker. The possession of the
tools required for these productions was forbidden by the rules, and
they were kept out of sight when the regular searches and inspections
were made. When the rules in this respect were relaxed, there was a
great development in arts and crafts, a vise was set up in one of the
rooms, and an amateur photographer opened a regular studio.
Public-domain text, read in full here on John Shaqi.
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