Domestic fiction; England -- Fiction; Mothers and sons -- Fiction; Religious fiction; Unmarried mothers -- Fiction
"You've had no tea, I guess. Indeed, and the girls are very
careless." She rang the bell with energy, and seconded her pull
by going to the door and shouting out sharp directions, in Welsh,
to Nest and Gwen, and three or four other rough, kind, slatternly
servants.
They brought her tea, which was comfortable, according to the idea of
comfort prevalent in that rude, hospitable place; there was plenty to
eat, too much, indeed, for it revolted the appetite it was intended
to provoke. But the heartiness with which the kind, rosy waiter
pressed her to eat, and the scolding Mrs Morgan gave her when she
found the buttered toast untouched (toast on which she had herself
desired that the butter might not be spared), did Ruth more good than
the tea. She began to hope, and to long for the morning when hope
might have become certainty. It was all in vain that she was told
that the room she had been in all day was at her service; she did not
say a word, but she was not going to bed that night, of all nights in
the year, when life or death hung trembling in the balance. She went
into the bedroom till the bustling house was still, and heard busy
feet passing to and fro in the room she might not enter; and voices,
imperious, though hushed down to a whisper, ask for innumerable
things. Then there was silence; and when she thought that all were
dead asleep, except the watchers, she stole out into the gallery. On
the other side were two windows, cut into the thick stone wall, and
flower pots were placed on the shelves thus formed, where great,
untrimmed, straggling geraniums grew, and strove to reach the light.
The window near Mr Bellingham's door was open; the soft, warm-scented
night air came sighing in in faint gusts, and then was still. It was
summer; there was no black darkness in the twenty-four hours; only
the light grew dusky, and colour disappeared from objects, of which
the shape and form remained distinct. A soft grey oblong of barred
light fell on the flat wall opposite to the windows, and deeper grey
shadows marked out the tracery of the plants, more graceful thus than
in reality. Ruth crouched where no light fell. She sat on the ground
close by the door; her whole existence was absorbed in listening;
all was still; it was only her heart beating with the strong, heavy,
regular sound of a hammer. She wished she could stop its rushing,
incessant clang. She heard a rustle of a silken gown, and knew it
ought not to have been worn in a sick-room; for her senses seemed to
have passed into the keeping of the invalid, and to feel only as he
felt. The noise was probably occasioned by some change of posture in
the watcher inside, for it was once more dead-still. The soft wind
outside sank with a low, long, distant moan among the windings of
the hills, and lost itself there, and came no more again. But Ruth's
heart beat loud. She rose with as little noise as if she were a
vision, and crept to the open window to try and lose the nervous
Public-domain text, read in full here on John Shaqi.
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