Ruth knew--who in Chicago did not know?--of Mrs. Malcolm Corliss,
particularly since America entered the war. Ruth knew that the
Superior number was a telephone probably in Mrs. Corliss’ big home
on the Lake Shore Drive. Ruth picked up the leather portfolio lying
upon the dressing table; opening it, she faced four portrait
photographs; an alert, able and kindly looking man of about fifty; a
woman a few years younger, not very unlike Ruth’s own mother and
with similarly sweet eyes and a similar abundance of beautiful hair.
These photographs had been but recently taken. The third was several
years old and was of a handsome, vigorous, defiant looking boy of
twenty-one or two; the fourth was of a cunning, bold little youth of
twelve in boy-scout uniform. Ruth had no doubt that these were
Cynthia Gail’s family; she was very glad to have that sight of them;
yet they told her nothing of use in the immediate emergency. Her
hand fell to the drawer of the dresser where, a moment ago, Ruth had
seen a pile of letters; she recognized that she must examine
everything; yet it was easier for her to open first the letters
which had never become quite Cynthia Gail’s--the three letters and
the dispatch which the clerk had given Ruth.
She opened the telegram first and found it was from her father. She
was thinking of herself, not as Ruth Alden, but as actually being
Cynthia Gail now. It was a great advantage to be able to fancy and
to dream; she _was_ Cynthia Gail; she _must_ be Cynthia henceforth
or she could not continue what she was doing even here alone by
herself; and surely she could not keep up before others unless, in
every relation, she thought of herself as that other girl.
Letter received; it’s like you, but by all means go ahead;
I’ll back you. Love.
Father.
That told nothing except that she had, in some recent letter,
suggested an evidently adventurous deviation from her first plan.
Public-domain text, read in full here on John Shaqi.
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