S. Hurok Presents; A Memoir of the Dance WorldHurok, Sol
History
S. Hurok Presents; A Memoir of the Dance World
Hurok, Sol
Ballet -- History
Here in the rambling unpretentiousness of Ivy House, among her
treasures, surrounded by her pets, she was completely herself. Here such
parties as she gave took place. They were small parties, and the
“chosen” who were invited were old friends and colleagues. Although the
parties were small in size, the food was abundant and superlative. On
her American tours she had discovered that peculiarly American
institution, the cafeteria. After rehearsals, she would often pop into
one with the entire company. Eyes a-twinkle, she would wait until all
the company had chosen their various dishes, then select her own; after
depositing her heavily laden tray at her own table, she would pass among
the tables where the company was seated and sample something from every
dish. Pavlova adored good food. She saw to it that good food was served
at Ivy House and, for one so slight of figure, consumed it in amazing
abundance.
One of these Ivy House parties in particular I remember vividly, for her
old friend, Féodor Chaliapine, that stupendous figure of the world of
the theatre who had played such an important part in my own life and
career, was, on this occasion, the life of the party. He was in a
gargantuan mood. He had already dined before he arrived at Ivy House. I
could imagine the dinner he had put away, for often his table abounded
with such delicacies as a large salmon, often a side of lamb, suckling
pigs, and tureens of _schchee_ and _borscht_. But despite this, he did
ample justice to Pavlova’s buffet and bar. His jokes and stories were
told to a spellbound audience. These were the rare occasions on which I
have seen this great musician, with his sombre, rather monkish face,
really relax.
This night Pavlova was equally animated, and Chaliapine and she vied
with each other in story-telling. I studied them both as I watched them.
Pavlova had told me of her own origins and first beginnings; about her
father, her mother, her childhood poverty. Here she sat, sprung from
such a humble start, the world’s greatest dancer, the chatelaine of a
beautiful and simple home, the entire world at her feet.
Facing her was another achievement, the poor boy of Kazan, who, in his
early life, suffered the pangs of hunger and misery which are the common
experience of the Russian poor. He had told me how, as a lad of
seventeen in the town of Kazan without a kopeck in his pocket, day after
day, he would walk through the streets and hungrily gaze into the
windows of the bakers’ shops with hopeless longing. “Hurok,” he had
said, “hunger is the most debasing of all suffering; it makes a man like
a beast, it humiliates him.”
Public-domain text, read in full here on John Shaqi.
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