“Yes, yes,” she continued, “as the applause, that very surprising applause rang out at the end, the Lord Mayor turned to me and said, ‘Lady, you’re _in_!’ Just like that. Now will you please translate for me what it is? Tell me, is that good or bad?” Laughingly I replied, “What do you think?” “I really don’t know” was her serious and sincere response. The simple fact was that Dame Ninette de Valois, D.B.E., D. Litt., to whose untiring efforts Sadler’s Wells owes its success, its existence, its very being, honestly thought the company was failing in New York. This most gala of gala nights was crowned by a large and extremely gay supper party given by Mayor O’Dwyer, at Gracie Mansion, the official residence of the Mayor of the City of New York. It was a warm and balmy night, with an Indian Summer moon--one of those halcyon nights all too rare. Because of this, it was possible to stage the supper in that most idyllic of settings, on the spacious lawn overlooking the moon-drenched East River, with the silhouettes of the great bridges etched in silver lights against the glow from the hundreds of colored lights strung over the lawn. Beneath all this gleamed the white linen of the many tables, the sparkle of crystal, the gloss of the silver. Two orchestras provided continuous dance music, the food and the champagne were ineffable. It was a party given by the Mayor: to honor the Sadler’s Wells Ballet and to cement those cultural ties between the two great world centers, London and New York. What better means are there for mutual understanding and admiration? There was, however, a delay on the part of the company in leaving the Metropolitan Opera House, a quite extended delay. Three large buses waited at the stage door, manned by Police Department Inspectors in dress uniforms, with gold badges. But this was the first time the company had worn the new evening creations I have mentioned. It took longer to array themselves in these than it did for them to prepare for the performance. As a matter of fact, Margot Fonteyn and Moira Shearer were the last to be ready, each of them ravishing and stunning, the dark, flashing brunette beauty of Fonteyn in striking contrast to the soft, pinkish loveliness of Shearer. Then it was necessary for our staff and the police to form a flying wedge to clear a path from the stage door to the waiting buses through the tightly-packed crowd that waited in Fortieth Street for a glimpse of the triumphant stars. Safe aboard at last, off the cavalcade started, headed by a Police Department squad car, with siren tied down, red lights flashing, together with two motorcycle police officers fifteen feet in advance and the same complement, squad car and outriders, bringing up the rear of the procession, through the red traffic lights, thus providing the company with yet another American thrill.