S. Hurok Presents; A Memoir of the Dance WorldHurok, Sol
History
S. Hurok Presents; A Memoir of the Dance World
Hurok, Sol
Ballet -- History
There was a tense instant as the procession left the Metropolitan and
the police sirens commenced their wail. The last time the company had
heard a siren was in the days of the blitz in London, when, no matter
how inured one became, the siren’s first tintinnabulation brought on
that sudden shock that no familiarity can entirely eradicate. It was
Constant Lambert’s dry wit that eased the situation. “It’s all right,
girls,” he called out, “that’s the ‘all clear.’”.
Heading the receiving line at Gracie Mansion, as the company descended
the wide stairs into the festive garden, were the Mayor and Grover
Whalen, Sir Oliver and Lady Franks, Sir Alexander Cadogan, the Honorable
Trygve Lie, President Romulo. There was a twinkle in Mayor O’Dwyer’s
eye, as some of the _corps de ballet_ girls curtsied with a
“Good-evening, your Lordship.”
Toasts were drunk to the President of the United States, the King of
England, Dame Ninette de Valois, to the Mayor, to Margot Fonteyn, Moira
Shearer, and the other principals. The party waxed even gayer. Dancers
seem never to tire of dancing. It was three in the morning when the
Mayor made a short speech to say “good-night,” explaining that he was
under doctor’s orders to go to bed, but that the party was to continue
unabated, and all were to enjoy themselves.
It was past four o’clock when it finally broke up, and the buses, with
their police escorts, started the journey back through a sleeping
Manhattan to deposit the company at their various hotels. Constant
Lambert, the lone wolf, lived apart from the rest at an East Side hotel.
All the rest of the company had been dropped, when three buses, six
inspectors, two squad cars, four motorcycle officers, halted before the
sedate hostelry after five in the morning, and Constant Lambert, the
sole passenger in the imposing cavalcade, slowly and with a grave,
seventeenth-century dignity, solemnly shook hands with drivers, motor
police, and all the inspectors, thanked them for the extremely
interesting, and, as he put it, “highly informative” journey, saluted
them with his sturdy blackthorn stick, and disappeared within the chaste
portals of the hotel, while the police stood at salute, and two
bewildered milk-men looked on in wonder.
The New York season was limited only by the availability of the
Metropolitan Opera House. We could have played for months. Also, the
company was due back at Covent Garden to fulfil its obligations to the
British taxpayer. Following the Metropolitan engagement, there was a
brief tour, involving a special train of six baggage cars, diner, and
seven Pullmans, visiting, with equal success and greeted by capacity and
turn-away houses, Washington, Richmond, Philadelphia, Pittsburgh,
Chicago, and Michigan State College at East Lansing; thence across the
border into Canada, for engagements at Toronto, Ottawa, and Montreal, to
honor the Commonwealth.
Public-domain text, read in full here on John Shaqi.
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