S. Hurok Presents; A Memoir of the Dance WorldHurok, Sol
History
S. Hurok Presents; A Memoir of the Dance World
Hurok, Sol
Ballet -- History
When I made the tour, in association with Queen Marie, the “children”
were, to put it kindly, on the mature side; and it took a great deal of
their dramatic, vital and dynamic managers drive to keep the silks
fluttering aloft. Mrs. Bloch was a remarkable woman, who had handled the
“children” for Loie Fuller a long time.
The tour of the Loie Fuller Dancers is not one of my proudest
achievements; but I know the gay colours, the changing lights brought
pleasure to many.
Years later, on a visit to Paris, I received a telephone call from Mrs.
Bloch, requesting an appointment. It was arranged for the following day.
At the appointed hour I went down to the foyer of the Hotel Meurice to
await her coming.
Some minutes later, I observed an elderly lady, supported by a cane,
enter and cross the foyer, walking slowly as the aged do, and using her
cane noticeably to assist her. I paid scant attention until, from where
I sat near the desk, I overheard her explaining to the _conciérge_ that
she had a “rendezvous” with Monsieur Hurok.
I simply did not recognize the human dynamo of 1926. A quarter of a
century had slipped by. Much of that time, she told me, she had spent in
Africa. Despite the change in her physical appearance, despite the toll
of the years, the flame still burned within her.
Her mission? To try to get me to bring the Loie Fuller Dancers to
America for another tour.
As I observed the changes that had taken place in their manager, I could
not help visualizing what twenty-five years must have done to the
“children.”
C. _A TEUTONIC PRIESTESS_
My dance associations in what I may call my “early middle” period led me
into excursions far afield from that form of dance expression which is
to me the most completely satisfying form of theatrical experience.
For the sake of the record, let us set the date of this period as 1930.
Surely there have been few in the history of the dance whose approach to
the medium was so foreign to and so different from the classical ballet,
where lie my deepest interests and my chief delight, than that Teutonic
priestess, Mary Wigman.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account