Very little is known of the authors of this version. Sternhold was educated at Oxford; was Groom of the Robes to Henry VIII. and Edward VI., was a "bold and busy Calvinist," and died in 1549. The little of interest told of John Hopkins is that he was a minister and schoolmaster, and that he assisted the work of Sternhold. The full reason for Sternhold's pious work is thus given by an old English author, Wood: "Being a most zealous reformer and a very strict liver he became so scandalyzed at the loose amorous songs used in the court that he forsooth turned into English metre fifty-one of Davids Psalms, and caused musical notes to be set to them, thinking thereby that the courtiers would sing them instead of their sonnets; but they did not, only some few excepted." The preface printed in the book stated Sternhold's wish and intention that the verses should be sung by Englishmen, not only in church, but "moreover in private houses for their godly solace and comfort; laying apart all ungodly Songs & Ballads which tend only to the nourishment of vice & corrupting of youth." The first edition contained nineteen psalms only, which were all versified by Sternhold. It was published in 1548 or 1549, under this title, "Certayn Psalmes chosen out of the Psalter of Daid and drawen into English Metre by Thomas Sternhold Groom of ye Kynges Maiesties Roobes." I believe no copy of this edition is now known to exist. The praise which Sternhold received for his pious rhymes had the same effect upon him as did similar encomiums upon his predecessor, the French psalm-writer Marot,--it encouraged him to write more psalm-verses. The second edition was printed in 1549, and contained thirty-seven psalms by Sternhold and seven by Hopkins. It bore this title, "Al such Psalmes of David as Thomas Sternehold late grome of his maiesties robes did in his lyfe tyme drawe into English metre." It was a well-printed book and copies are still preserved in the British Museum and the Public Library of Cambridge, England. This second and enlarged edition was dedicated, in a four-page preface, to King Edward VI., and a pretty story is told of the young king's interest in the verses. The delicate and gentle boy of twelve heard Sternhold when "singing them to his organ" as Strype says, and wandered in to hear the music and listen to the words. So great was his awakened interest in the sacred songs that Sternhold resolved to write in verse for him still further of the psalms. The dedication reads: "Seeing that your tender and godly zeale dooth more delight in the holye songs of veritie than in any fayncd rymes of vanytie, I am encouraged to travayle further in the said booke of Psalmes." This young king restored to the English people the free reading of the Bible, which his wicked father, Henry VIII., had forbidden them, and he was of a sincerely religious nature. He also was a music-lover, and encouraged the art as much as his short life and troubled reign permitted.