We roll onward again all day long. I am weary of looking at the rows
of houses and trees that spin by before my eyes; then, too, I have the
colic continually and I suffer. About four o’clock of the afternoon, the
engine slackens its speed, and stops at a landing-stage where awaits
us there an old general, around whom sports a flock of young men, with
headgear of red képis, breached in red and shod with boots with yellow
spurs. The general passes us in review and divides us into two squads;
the one for the seminary, the other is directed toward the hospital. We
are, it seems, at Arras. Francis and we form part of the first squad.
They tumble us into carts stuffed with straw, and we arrive in front
of a great building that settles and seems about to collapse into the
street. We mount to the second story to a room that contains some thirty
beds; each one of us unbuckles his knapsack, combs himself, and sits
down. A doctor arrives.
“What is the trouble with you?” he asks of the first.
“A carbuncle.”
“Ah! and you?”
“Dysentery.”
“Ah! and you?”
“A bubo.”
“But in that case you have not been wounded during the war?”
“Not the least in the world.”
“Very well! You can take up your knapsacks again. The archbishop gives
up the beds of his seminarists only to the wounded.”
I pack into my knapsack again all the knick-knacks that I had taken out,
and we are off again, willy-nilly, for the city hospital. There was no
more room there. In vain the sisters contrive to squeeze the iron beds
together, the wards are full. Worn out by all these delays, I seize one
mattress, Francis takes another, and we go and stretch ourselves in the
garden on a great glass-plot.
The next day I have a talk with the director, an affable and charming
man. I ask permission for the painter and for me to go out into the
town. He consents; the door opens; we are free! We are going to dine at
last! To eat real meat, to drink real wine! Ah, we do not hesitate; we
make straight for the best hotel in town. They serve us there with
a wholesome meal. There are flowers there on the table, magnificent
bouquets of roses and fuchias that spread themselves out of the glass
vases. The waiter brings in a roast that drains into a lake of butter;
the sun himself comes to the feast, makes the covers sparkle and the
blades of the knives, sifts his golden dust through the carafes, and
playing with the pomard that gently rocks in the glasses, spots with a
ruby star the damask cloth.
Public-domain text, read in full here on John Shaqi.
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