Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
3. It is related by Clement of Alexandria, that when St. John was at
Ephesus, and before he was exiled to Patmos, he had taken to his care
a young man of promising qualities of person and mind. During his
absence he left him under the spiritual guidance of a certain bishop;
but, after a while, the youth took to evil courses, and, proceeding
from one excess to another, he at length became the leader of a band of
robbers and assassins who struck terror into the whole country. When
St. John returned to Ephesus, he went to the bishop and demanded ‘the
precious deposit he had left in his hands.’ At first the priest did not
understand him; but when St. John explained the allusion to his adopted
son, he cast down his eyes with sorrow and shame, and told of what
had befallen. Then St. John rent his garments, and wept with a loud
voice, and cried out, ‘Alas! alas! to what a guardian have I trusted
our brother!’ And he called for a horse and rode towards the forest in
which the robbers sojourned; and when the captain of the robbers beheld
his old master and instructor, he turned and would have fled from his
presence; but St. John, by the most fervent entreaties, prevailed on
him to stop and listen to his words. After some conference, the robber,
utterly subdued, burst into tears of penitence, imploring forgiveness;
and while he spoke, he hid beneath his robe his right hand, which had
been sullied with so many crimes; but St. John, falling on his knees
before him, seized that blood-polluted hand, and kissed it, and bathed
it with his tears; and he remained with his re-converted brother till
he had, by prayers and encouraging words and affectionate exhortations,
reconciled him with Heaven and with himself.
This beautiful legend is the subject of some old engravings, in which
St. John is represented embracing the robber, who is weeping on his
neck, having flung away his weapons. It has been, however, too rarely
treated; I have never met with a picture of the subject; and yet it
abounds in picturesque capabilities: the forest background—the contrast
of youth and age—bright armour, flowing drapery, and the most striking
and affecting moral, are here all combined.
4. Another very pretty apologue relating to St. John is sometimes
included in a series of subjects from his life. Two young men, who had
sold all their possessions to follow him, afterwards repented. He,
perceiving their thoughts, sent them to gather pebbles and faggots,
and, on their return, changed these into money and ingots of gold,
saying to them, ‘Take back your riches and enjoy them on earth, as you
regret having exchanged them for heaven!’ This story is represented on
one of the windows of the Cathedral at Bourges. The two young men stand
before St. John, with a heap of gold on one side, and a heap of stones
and faggots on the other.
Public-domain text, read in full here on John Shaqi.
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