Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts. — John Shaqi
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
that God has permitted once to exist in the past should be considered
as the possession of the present; sacred for example or warning, and
held as the foundation on which to build up what is better and purer.
It should seem an established fact, that all revolutions in religion,
in government, and in art, which begin in the spirit of scorn, and
in a sweeping destruction of the antecedent condition, only tend
to a reaction. Our puritanical ancestors chopped off the heads of
Madonnas and Saints, and paid vagabonds to smash the storied windows
of our cathedrals;—_now_, are these rejected and outraged shapes of
beauty coming back to us, or are we not rather going back to them? As
a Protestant, I might fear lest in doing so we confound the eternal
spirit of Christianity with the mutable forms in which it has deigned
to speak to the hearts of men, forms which must of necessity vary
with the degree of social civilisation, and bear the impress of the
feelings and fashions of the age which produced them; but I must also
feel that we ought to comprehend, and to hold in due reverence, that
which has once been consecrated to holiest aims, which has shown us
what a magnificent use has been made of Art, and how it may still be
adapted to good and glorious purposes, if, while we respect these
time-consecrated images and types, we do not allow them to fetter us,
but trust in the progressive spirit of Christianity to furnish us with
new impersonations of the good—new combinations of the beautiful. I
hate the destructive as I revere the progressive spirit. We must laugh
if any one were to try and persuade us that the sun was guided along
his blazing path by a ‘fair-haired god who touched a golden lyre;’ but
shall we therefore cease to adore in the Apollo Belvedere the majestic
symbol of light, the most divine impersonation of intellectual power
and beauty? So of the corresponding Christian symbols:—may that time
never come, when we shall look up to the effigy of the winged and
radiant angel trampling down the brute-fiend, without a glow of faith
in the perpetual supremacy and final triumph of good over evil!
* * * * *
Public-domain text, read in full here on John Shaqi.
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