Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
The belief that the girdle is preserved in the Cathedral at Pistoia has
rendered this legend a popular subject with the Florentine painters;
and we find it treated, not merely as an incident in the scene of
the Assumption, but in a manner purely mystic and devotional. Thus,
in a charming bas-relief by Luca della Robbia,[224] the Virgin,
surrounded by a choir of angels, presents her girdle to the apostle.
In a beautiful picture by Granacci,[225] the Virgin is seated in the
clouds; beneath is her empty sepulchre: on one side kneels St. Thomas,
who receives with reverence the sacred girdle; on the other kneels the
Archangel Michael. In simplicity of arrangement, beauty of expression,
and tender harmony of colour, this picture has seldom been exceeded.
Granacci has again treated this subject, and St. Thomas receives the
girdle in the presence of St. John the Baptist, St. James Major, St.
Laurence, and St. Bartholomew.[226] We have the same subject by Paolino
da Pistoia; by Sogliani; and by Mainardi, a large and very fine fresco
in the church of Santa Croce at Florence.
A poetical and truly mystical version of this subject is that wherein
the Infant Saviour, seated or standing on his mother’s knee, looses
her girdle and presents it to St. Thomas. Of this I have seen several
examples; one in the Duomo at Viterbo.[227]
In the Martyrdom of St. Thomas, several idolaters pierce him through
with lances and javelins. It was so represented on the doors of San
Paolo, with four figures only. Rubens, in his large picture, has
followed the legend very exactly; St. Thomas embraces the cross, at
the foot of which he is about to fall, transfixed by spears. A large
picture in the gallery of Count Harrach at Vienna, called there the
Martyrdom of St. Jude, I believe to represent the Martyrdom of St.
Thomas. Two of the idolatrous priests pierce him with lances. Albert
Dürer, in his beautiful print of St. Thomas, represents him holding the
lance, the instrument of his martyrdom: but this is very unusual.
The eighth in the order of the Apostles is the Evangelist ST. MATTHEW,
of whom I have spoken at length.
ST. JAMES MINOR.
_Lat._ S. Jacobus Frater Domini. _Gr._ Adelphotheos. _Ital._ San
Jacopo or Giacomo Minore. _Fr._ St. Jacques Mineur. (May 1.)
Public-domain text, read in full here on John Shaqi.
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