Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
The ninth is St. James Minor, or the Less, called also the Just: he
was a near relative of Christ, being the son of Mary, the wife of
Cleophas, who was the sister of the Virgin Mary; hence he is styled
‘the Lord’s brother.’ Nothing particular is related of him till after
the ascension. He is regarded as first Christian bishop of Jerusalem,
and venerated for his self-denial, his piety, his wisdom, and his
charity. These characteristics are conspicuous in the beautiful Epistle
which bears his name. Having excited, by the fervour of his teaching,
the fury of the Scribes and Pharisees, and particularly the enmity of
the high-priest Ananus, they flung him down from a terrace or parapet
of the Temple, and one of the infuriated populace below beat out his
brains with a _fuller’s club_.
In single figures and devotional pictures, St. James is generally
leaning on this club, the instrument of his martyrdom. According to
an early tradition, he so nearly resembled our Lord in person, in
features, and deportment, that it was difficult to distinguish them.
‘The Holy Virgin herself,’ says the legend, ‘had she been _capable_
of error, might have mistaken one for the other:’ and this exact
resemblance rendered necessary the kiss of the traitor Judas, in order
to point out his victim to the soldiers.
This characteristic resemblance is attended to in the earliest and
best representations of St. James, and by this he may usually be
distinguished when he does not bear his club, which is often a thick
stick or staff. With the exception of those Scripture scenes in which
the apostles are present, I have met with few pictures in which St.
James Minor is introduced: he does not appear to have been popular as
a patron saint. The event of his martyrdom occurs very seldom, and
is very literally rendered: the scene is a court of the Temple, with
terraces and balconies; he is falling, or has fallen, to the ground,
and one of the crowd lifts up the club to smite him.
Ignorant artists have in some instances confounded St. James Major and
St. James Minor. The Cappella dei Belludi at Padua, already mentioned,
dedicated to St. Philip and St. James, contains a series of frescoes
from the life of St. James Minor, in which are some of the miraculous
incidents attributed in the Legenda Aurea to St. James Major.
[Illustration: 82 St. James Minor]
Public-domain text, read in full here on John Shaqi.
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