Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
in the midst of the luxuries of Rome! I sate alone, for I was full of
bitterness. My misshapen limbs were rough with sackcloth, and my skin
so squalid that I might have been mistaken for an Ethiopian. Tears
and groans were my occupation every day and all day long. If sleep
surprised me unawares, my naked bones, which scarcely held together,
rattled on the earth.’ His companions, he says, ‘were scorpions and
wild beasts;’ his home, ‘a recess among rocks and precipices.’ Yet,
in the midst of this horrible self-torture and self-abasement, he
describes himself as frequently beset by temptations to sin and sensual
indulgence, and haunted by demons: at other times, as consoled by
voices and visions from heaven. Besides these trials of the flesh and
the spirit, he had others of the intellect. His love of learning, his
admiration of the great writers of classical antiquity,—of Plato and
Cicero,—made him impatient of the rude simplicity of the Christian
historians. He describes himself as fasting before he opened Cicero;
and, as a further penance, he forced himself to study Hebrew, which
at first filled him with disgust, and this disgust appeared to him a
capital sin. In one of his distempered visions, he fancied he heard
the last trumpet sounded in his ear by an angel, and summoning him
before the judgment-seat of God. ‘Who art thou?’ demanded the awful
voice. ‘A Christian,’ replied the trembling Jerome. ‘‘Tis false!’
replied the voice, ‘thou art no Christian: thou art a Ciceronian.
Where the treasure is, there will the heart be also.’ He persevered,
and conquered the difficulties of Hebrew; and then, wearied by the
religious controversies in the East, after ten years’ residence there,
he returned to Rome.
But neither the opposition he had met with, nor his four years of
solitude and penance in the desert, had subdued the fiery enthusiasm of
temperament which characterised this celebrated man. At Rome he boldly
combated the luxurious self-indulgence of the clergy, and preached
religious abstinence and mortification. He was particularly remarkable
for the influence he obtained over the Roman women; we find them,
subdued or excited by his eloquent exhortations, devoting themselves
to perpetual chastity, distributing their possessions among the poor,
or spending their days in attendance on the sick, and ready to follow
their teacher to the Holy Land—to the desert—even to death. His most
celebrated female convert was Paula, a noble Roman matron, a descendant
of the Scipios and the Gracchi. Marcella, another of these Roman
ladies, was the first who, in the East, collected together a number
of pious women to dwell together in community: hence she is, by some
authors, considered as the first nun; but others contend that Martha,
the sister of Mary Magdalene, was the first who founded a religious
community of women.
Public-domain text, read in full here on John Shaqi.
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