Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
After three years’ sojourn at Rome, St. Jerome returned to Palestine,
and took up his residence in a monastery he had founded at Bethlehem.
When, in extreme old age, he became sensible of the approach of death,
he raised with effort his emaciated limbs, and, commanding himself to
be carried into the chapel of the monastery, he received the Sacrament
for the last time from the hands of the priest, and soon after expired.
He died in 420, leaving, besides his famous translation of the
Scriptures, numerous controversial writings, epistles, and commentaries.
* * * * *
We read in the legendary history of St. Jerome, that one evening, as
he sat within the gates of his monastery at Bethlehem, a lion entered,
limping, as in pain; and all the brethren, when they saw the lion, fled
in terror: but Jerome arose, and went forward to meet him, as though he
had been a guest. And the lion lifted up his paw, and St. Jerome, on
examining it, found that it was wounded by a thorn, which he extracted;
and he tended the lion till he was healed. The grateful beast remained
with his benefactor, and Jerome confided to him the task of guarding
an ass which was employed in bringing firewood from the forest. On one
occasion, the lion having gone to sleep while the ass was at pasture,
some merchants passing by carried away the latter; and the lion, after
searching for him in vain, returned to the monastery with drooping
head, as one ashamed. St. Jerome, believing that he had devoured his
companion, commanded that the daily task of the ass should be laid upon
the lion, and that the faggots should be bound on his back, to which
he magnanimously submitted, until the ass was recovered; which was in
this wise. One day, the lion, having finished his task, ran hither and
thither, still seeking his companion; and he saw a caravan of merchants
approaching, and a string of camels, which, according to the Arabian
custom, were led by an ass; and when the lion recognised his friend, he
drove the camels into the convent, and so terrified the merchants, that
they confessed the theft, and received pardon from St. Jerome.
The introduction of the lion into pictures of St. Jerome is supposed
to refer to this legend; but in this instance, as in many others, the
reverse was really the case. The lion was in very ancient times adopted
as the symbol befitting St. Jerome, from his fervid, fiery nature, and
his life in the wilderness; and in later times, the legend invented to
explain the symbol was gradually expanded into the story as given above.
* * * * *
Representations of St. Jerome, in pictures, prints, and sculpture,
are so numerous that it were in vain to attempt to give any detailed
account of them, even of the most remarkable. All, however, may be
included under the following classification, and, according to the
descriptions given, may be easily recognised.
Public-domain text, read in full here on John Shaqi.
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