Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
He began by distributing all his worldly goods to the poor; he then
set himself to study the sacred writings, and to render himself in all
respects worthy of his high dignity. ‘The Old and the New Testament,’
says Mr. Milman, ‘met in the person of Ambrose: the implacable
hostility to idolatry, the abhorrence of every deviation from the
established formulary of belief;—the wise and courageous benevolence,
the generous and unselfish devotion to the great interests of humanity.’
He was memorable for the grandeur and magnificence with which he
invested the ceremonies of worship; they had never been so imposing. He
particularly cultivated music, and introduced from the East the manner
of chanting the service since called the Ambrosian chant.
* * * * *
Two things were especially remarkable in the life and character of
St. Ambrose. The first was the enthusiasm with which he advocated
celibacy in both sexes: on this topic, as we are assured, he was so
persuasive, that mothers shut up their daughters lest they should be
_seduced_ by their eloquent bishop into vows of chastity. The other
was his determination to set the ecclesiastical above the sovereign
or civil power: this principle, so abused in later times, was in the
days of Ambrose the assertion of the might of Christianity, of mercy,
of justice, of freedom, over heathenism, tyranny, cruelty, slavery.
The dignity with which he refused to hold any communication with the
Emperor Maximus, because he was stained with the blood of Gratian, and
his resolute opposition to the Empress Justina, who interfered with
his sacerdotal privileges, were two instances of this spirit. But the
most celebrated incident of his life is his conduct with regard to
the Emperor Theodosius, the last great emperor of Rome;—a man of an
iron will, a despot, and a warrior. That _he_ should bend in trembling
submission at the feet of an unarmed priest, and shrink before his
rebuke, filled the whole world with an awful idea of the supremacy of
the Church, and prepared the way for the Hildebrands, the Perettis, the
Caraffas of later times. With regard to St. Ambrose, this assumption
of moral power, this high prerogative of the priesthood, had hitherto
been without precedent, and in this its first application it certainly
commands our respect, our admiration, and our sympathy.
Public-domain text, read in full here on John Shaqi.
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