Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
Theodosius, with all his great qualities, was subject to fits of
violent passion. A sedition, or rather a popular affray, had taken
place in Thessalonica; one of his officers was ill-treated, and some
lives lost. Theodosius, in the first moment of indignation, ordered an
indiscriminate massacre of the inhabitants, and seven thousand human
beings—men, women, and children—were sacrificed. The conduct of Ambrose
on this occasion was worthy of a Christian prelate: he retired from
the presence of the emperor, and wrote to him a letter, in which, in
the name of Christ, of his Church, and of all the bishops over whom he
had any influence, he denounced this inhuman act with the strongest
expressions of abhorrence, and refused to allow the sovereign, thus
stained with innocent blood, to participate in the sacraments of the
Church;—in fact, excommunicated him. In vain the emperor threatened,
supplicated; in vain he appeared with all his imperial state before the
doors of the cathedral of Milan, and commanded and entreated entrance.
The doors were closed; and even on Christmas-day, when he again as
a suppliant presented himself, Ambrose appeared at the porch, and
absolutely forbade his entrance, unless he should choose to pass into
the sanctuary over the dead body of the intrepid bishop. At length,
after eight months of interdict, Ambrose consented to relent, on two
conditions: the first, that the emperor should publish an edict by
which no capital punishment could be executed till thirty days after
conviction of a crime; the second, that he should perform a public
penance. The emperor submitted; and, clothed in sackcloth, grovelling
on the earth, with dust and ashes on his head, lay the master of the
world before the altar of Christ, because of innocent blood hastily
and wrongfully shed. This was a great triumph, and one of incalculable
results—some evil, some good.
Another incident in the life of St. Ambrose should be recorded to his
honour. In his time, ‘the first blood was judicially shed for religious
opinion’—and the first man who suffered for heresy was Priscilian,
a noble Spaniard: on this occasion, St. Ambrose and St. Martin of
Tours raised their protest in the name of Christianity against this
dreadful precedent; but the animosity of the Spanish bishops prevailed,
and Priscilian was put to death; so early were bigotry and cruelty
the characteristics of the Spanish hierarchy! Ambrose refused to
communicate with the few bishops who had countenanced this transaction:
the general voice of the Church was against it.
Public-domain text, read in full here on John Shaqi.
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