Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
The SWORD is also either a symbol or an attribute. As a symbol it
signifies generally martyrdom by any violent death, and, in this sense,
is given to many saints who did not die by the sword. As an attribute
it signifies the particular death suffered, and that the martyr in
whose hand or at whose feet it is placed was beheaded: in this sense it
is given to St. Paul, St. Catherine, and many others. It is given also
to the warrior-martyrs, as the attribute of their military profession.
Other symbols of martyrdom are the AXE, the LANCE, and the CLUB.
ARROWS, which are attributes, St. Ursula, St. Christina, and St.
Sebastian.
The PONIARD, given to St. Lucia.
The CAULDRON, given to St. John the Evangelist and St. Cecilia.
The PINCERS and SHEARS, St. Apollonia and St. Agatha.
The WHEELS, St. Catherine.
FIRE and FLAMES are sometimes an emblem of martyrdom and punishment,
and sometimes of religious fervour.
A BELL was supposed to have power to exorcise demons, and for this
reason is given to the haunted St. Anthony.
The SHELL signifies pilgrimage.
The SKULL, penance.
The ANVIL, as an attribute of martyrdom, belongs to St. Adrian only.
The PALM, the ancient classical symbol of victory and triumph, was
early assumed by the Christians as the universal symbol of martyrdom,
and for this adaptation of a pagan ornament they found warrant in
Scripture: Rev. vii. 9, ‘And after this I beheld, and, lo, a great
multitude stood before the throne clothed with white robes and with
palms in their hands.‘... ‘And he said to me, These are they which
came out of great tribulation.’ Hence in pictures of martyrdoms an
angel descends with the palm; hence it is figured on the tombs of early
martyrs, and placed in the hands of those who suffered in the cause of
truth, as expressing their final victory over the powers of sin and
death.
The sensual think with reverence of the palm
Which the chaste votary wields.
[Illustration: Four palm fronds]
The palm varies in form from a small leaf to the size of a palm branch,
almost a tree. It is very small in the early Italian pictures, very
large in the Spanish pictures. In the Siena pictures it has a bunch of
dates depending from it. It is only in late pictures that the palm,
with a total disregard to the sacredness of its original signification,
is placed on the ground, or under the feet of the saint.
The STANDARD, or banner, is also the symbol of victory, the spiritual
victory over sin, death, and idolatry. It is borne by our Saviour
after his resurrection, and is placed in the hands of St. George, St.
Maurice, and other military saints; in the hands of some victorious
martyrs, as St. Julian, St. Ansano, and of those who preached the
Gospel among infidels; also in the hands of St. Ursula and St.
Reparata, the only female saints, I believe, who bear this attribute.
Public-domain text, read in full here on John Shaqi.
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