Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
In the fifth century, in the city of Siponte, in Apulia (now
Manfredonia), dwelt a man named Galgano or Garganus, very rich in
cattle, sheep, and beasts; and as they pastured on the sides of the
mountain, it happened that a bull strayed and came not home: then the
rich man took a multitude of servants and sought the bull, and found
him at the entrance of a cave on the very summit of the mountain,
and, being wroth with the bull, the master ordered him to be slain;
but when the arrow was sent from the bow it returned to the bosom of
him who sent it, and he fell dead on the ground: then the master and
his servants were troubled, and they sent to inquire of the bishop
what should be done. The bishop, having fasted and prayed three days,
beheld in a vision the glorious Archangel Michael, who descended on
the mountain, and told him that the servant had been slain because he
had violated a spot peculiarly sacred to him, and he commanded that a
church should be erected and sanctified there to his honour. And when
they entered the cavern they found there three altars already erected,
one of them covered with a rich embroidered altar-cloth of crimson
and gold, and a stream of limpid water springing from the rock, which
healed all diseases. So the church was built, and the fame of the
vision of Monte Galgano, though for some time confined to the south of
Italy, spread throughout Europe, and many pilgrimages were made to the
spot on which the angelic footsteps had alighted.
The second vision is much more imposing. When Rome was nearly
depopulated by a pestilence in the sixth century, St. Gregory,
afterwards pope, advised that a procession should be made through
the streets of the city, singing the service since called the Great
Litanies. He placed himself at the head of the faithful, and during
three days they perambulated the city; and on the third day, when
they had arrived opposite to the mole of Hadrian, Gregory beheld the
Archangel Michael alight on the summit of that monument, and sheathe
his sword bedropped with blood. Then Gregory knew that the plague
was stayed, and a church was there dedicated to the honour of the
Archangel: and the Tomb of Hadrian has since been called the Castle of
Sant’ Angelo to this day.
Public-domain text, read in full here on John Shaqi.
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