The houses stood up straight and sinister, thousands of houses unendingly
succeeding each other. Some were brilliantly illuminated; some were dark;
and some had one or two windows lighted. The phenomenon of a solitary
window lighted, high up in a house, filled me with the sense of the
tragic romance of London. Why, I cannot tell. But it did. London grew to
be almost unbearably mournful. There were too many people in London.
Suffering was packed too close. One can contemplate a single affliction
with some equanimity, but a million griefs, calamities, frustrations,
elbowing each other--No, no! And in all that multitude of sadnesses I
felt that mine was the worst. My loneliness, my fear, my foolish youth,
my inability to cope with circumstance, my appalling ignorance of the
very things which I ought to know! It was awful. And yet even then, in
that despairing certainty of disaster, I was conscious of the beauty of
life, the beauty of life's exceeding sorrow, and I hugged it to me, like
a red-hot iron.
We crossed a great river by a great bridge--a mysterious and mighty
stream; and then the streets closed in on us again. And at last, after
hours and hours, the omnibus swerved into a dark road and
stopped--stopped finally.
'Putney!' cried the conductor, like fate.
I descended. Far off, at the end of the vista of the dark road, I saw a
red lamp. I knew that in large cities a red lamp indicated a doctor: it
was the one useful thing that I did know.
I approached the red lamp, cautiously, on the other side of the street.
Then some power forced me to cross the street and open a wicket. And in
the red glow of the lamp I saw an ivory button which I pushed. I could
plainly hear the result; it made me tremble. I had a narrow escape of
running away. The door was flung wide, and a middle-aged woman appeared
in the bright light of the interior of the house. She had a kind face. It
is astounding, the number of kind faces one meets.
'Is the doctor in?' I asked.
I would have given a year of my life to hear her say 'No.'
'Yes, miss,' she said. 'Will you step in?'
Events seemed to be moving all too rapidly.
I passed into a narrow hall, with an empty hat-rack, and so into the
surgery. From the back of the house came the sound of a piano--scales,
played very slowly. The surgery was empty. I noticed a card with letters
of the alphabet printed on it in different sizes; and then the piano
ceased, and there was the humming of an air in the passage, and a tall
man in a frock-coat, slippered and spectacled, came into the surgery.
'Good-evening, madam,' he said gruffly. 'Won't you sit down?'
'I--I--I want to ask you--'
He put a chair for me, and I dropped into it.
'There!' he said, after a moment. 'You felt as if you might faint,
didn't you?'
I nodded. The tears came into my eyes.
'I thought so,' he said. 'I'll just give you a draught, if you
don't mind.'
He busied himself behind me, and presently I was drinking something out
of a conical-shaped glass.
Public-domain text, read in full here on John Shaqi.
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